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|a UAMI
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|a Chambers, Helen,
|d 1947-
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|a Humor and irony in nineteenth-century German women's writing :
|b studies in prose fiction, 1840-1900 /
|c Helen Chambers.
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|a Rochester, N.Y. :
|b Camden House,
|c 2007.
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|a 1 online resource (222 pages)
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|a text
|b txt
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|a Studies in German literature, linguistics and culture
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|a Includes bibliographical references (pages 203-213) and index.
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|a Annette von Droste-Hülshoff and Ida Hahn-Hahn: overcoming seriousness? -- Ottilie Wildermuth and Helene Böhlau: harmless humor or subtle psychology? -- Marie von Ebner-Eschenbach: satire, physical comedy, irony, and deeper meaning -- Ada Christen and Clara Viebig: laughter and pain in the world of work -- Isolde Kurz and Ricarda Huch: the humor of skeptical idealism.
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|3 Use copy
|f Restrictions unspecified
|2 star
|5 MiAaHDL
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|a Electronic reproduction.
|b [Place of publication not identified] :
|c HathiTrust Digital Library,
|d 2010.
|5 MiAaHDL
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|a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
|u http://purl.oclc.org/DLF/benchrepro0212
|5 MiAaHDL
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|a digitized
|c 2010
|h HathiTrust Digital Library
|l committed to preserve
|2 pda
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|a Print version record.
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|a Nineteenth-century German literature is seldom seen as rich in humor and irony, and women's writing from that period is perhaps even less likely to be seen as possessing those qualities. Yet since comedy is bound to societal norms, and humor and irony are recognized weapons of the weak against authority, what this innovative study reveals should not be surprising: women writers found much to laugh at in a bourgeois age when social constraints, particularly on women, were tight. Helen Chambers analyzes prose fiction by leading female writers of the day who prominently employ humor and irony. Arguing that humor and irony involve cognitive and rational processes, she highlights the inadequacy of binary theories of gender that classify the female as emotional and the male as rational. Chambers focuses on nine women writers: Annette von Droste-Hülshoff, Ida Hahn-Hahn, Ottilie Wildermuth, Helene Böhlau, Marie von Ebner-Eschenbach, Ada Christen, Clara Viebig, Isolde Kurz, and Ricarda Huch. She uncovers a rich seam of unsuspected or forgotten variety, identifies fresh avenues of approach, and suggests a range of works that merit a place on university reading lists and attention in scholarly studies. Helen Chambers is Professor of German at the University of St Andrews, Scotland, UK.
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|b Books at JSTOR Evidence Based Acquisitions
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|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a German literature
|x Women authors
|x History and criticism.
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|a German fiction
|y 19th century
|x History and criticism.
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|a Humor in literature.
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|a Irony in literature.
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|a Roman allemand
|y 19e siècle
|x Histoire et critique.
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|a Ironie dans la littérature.
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|a LITERARY CRITICISM
|x European
|x German.
|2 bisacsh
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|a German fiction.
|2 fast
|0 (OCoLC)fst00941384
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|a German literature
|x Women authors.
|2 fast
|0 (OCoLC)fst00941882
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|a Humor in literature.
|2 fast
|0 (OCoLC)fst00963735
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|a Irony in literature.
|2 fast
|0 (OCoLC)fst00979394
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|a 1800-1899
|2 fast
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|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
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|i Print version:
|a Chambers, Helen, 1947-
|t Humor and irony in nineteenth-century German women's writing.
|d Rochester, N.Y. : Camden House, 2007
|w (DLC) 2007000258
|w (OCoLC)77574090
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|a Studies in German literature, linguistics, and culture.
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|u https://jstor.uam.elogim.com/stable/10.7722/j.ctt8205p
|z Texto completo
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