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|a 10.7312/gols14276
|2 doi
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|a UAMI
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|a Golston, Michael.
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|a Rhythm and race in modernist poetry and science :
|b Pound, Yeats, Williams, and modern sciences of rhythm /
|c Michael Golston.
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|a New York :
|b Columbia University Press,
|c 2008.
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|a 1 online resource (xv, 272 pages) :
|b illustrations
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
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|a text file
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|b PDF
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|a Bibliography
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|a Includes bibliographical references (pages 255-265) and index.
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|a Introduction: phonoscopic modernism -- Pulsanda tellus: Ezra Pound's absolutist rhythms -- Double registrations in the river of blood -- Machining convictions: W.B. Yeats's sanguineous rhytms -- Singing the crisis itself -- Williams's measured interventions.
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|3 Use copy
|f Restrictions unspecified
|2 star
|5 MiAaHDL
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|a Electronic reproduction.
|b [Place of publication not identified] :
|c HathiTrust Digital Library,
|d 2010.
|5 MiAaHDL
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|a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
|u http://purl.oclc.org/DLF/benchrepro0212
|5 MiAaHDL
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|a digitized
|c 2010
|h HathiTrust Digital Library
|l committed to preserve
|2 pda
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|a Print version record.
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|a In the half-century between 1890 and 1950, a variety of fields and disciplines, from musicology and literary studies to biology, psychology, genetics, and eugenics, expressed a profound interest in the subject of rhythm. In this book, Michael Golston recovers much of the work done in this area and situates it in the society, politics, and culture of the Modernist period. He then filters selected Modernist poems through this archive to demonstrate that innovations in prosody, form, and subject matter are based on a largely forgotten ideology of rhythm and that beneath Modernist prosody is a science and an accompanying technology. In his analysis, Golston first examines psychological and physiological experiments that purportedly proved that races responded differently to rhythmic stimuli. He then demonstrates how poets like Ezra Pound, W.B. Yeats, Mina Loy, and William Carlos Williams either absorbed or echoed the information in these studies, using it to hone the innovative edge of Modernist practice and fundamentally alter the way poetry was written. Golston performs close readings of canonical texts such as Pound's Cantos, Yeats's "Lake Isle of Innisfree," and William Carlos Williams's Paterson, and examines the role the sciences of rhythm played in racist discourses and fascist political thinking in the years leading up to World War II. Recovering obscure texts written in France, Germany, England, and America, Golston argues that "Rhythmics" was instrumental in generating an international modern art and should become a major consideration in our reading of reactionary avant-garde poetry
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|a In English.
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590 |
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a Pound, Ezra,
|d 1885-1972
|x Knowledge
|x Science.
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|a Williams, William Carlos,
|d 1883-1963
|x Knowledge
|x Science.
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|a Yeats, W. B.
|q (William Butler),
|d 1865-1939
|x Knowledge
|x Science.
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1 |
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|a Pound, Ezra,
|d 1885-1972.
|2 fast
|0 (OCoLC)fst00029337
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1 |
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|a Williams, William Carlos,
|d 1883-1963.
|2 fast
|0 (OCoLC)fst00036533
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|a Yeats, W. B.
|q (William Butler),
|d 1865-1939.
|2 fast
|0 (OCoLC)fst00029120
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650 |
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|a American poetry
|y 20th century
|x History and criticism.
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|a Modernism (Literature)
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|a Rhythm
|x Political aspects.
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|a Racism in literature.
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650 |
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|a Literature and science
|x History
|y 20th century.
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650 |
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|a Politics and literature
|x History
|y 20th century.
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650 |
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|a Poésie américaine
|y 20e siècle
|x Histoire et critique.
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|a Modernisme (Littérature)
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|a Rythme
|x Aspect politique.
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|a Racisme dans la littérature.
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|a Littérature et sciences
|x Histoire
|y 20e siècle.
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|a Politique et littérature
|x Histoire
|y 20e siècle.
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650 |
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|a LITERARY CRITICISM
|x Poetry.
|2 bisacsh
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|a American poetry.
|2 fast
|0 (OCoLC)fst00807348
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|a Literature and science.
|2 fast
|0 (OCoLC)fst01000093
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|a Modernism (Literature)
|2 fast
|0 (OCoLC)fst01024455
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|a Politics and literature.
|2 fast
|0 (OCoLC)fst01069960
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|a Racism in literature.
|2 fast
|0 (OCoLC)fst01086655
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|a Science.
|2 fast
|0 (OCoLC)fst01108176
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|a 1900-1999
|2 fast
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655 |
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|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
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|a History.
|2 fast
|0 (OCoLC)fst01411628
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|i Print version:
|a Golston, Michael.
|t Rhythm and race in modernist poetry and science.
|d New York : Columbia University Press, 2008
|w (DLC) 2007021125
|w (OCoLC)137305733
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|u https://jstor.uam.elogim.com/stable/10.7312/gols14276
|z Texto completo
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|a De Gruyter
|b DEGR
|n 9780231512336
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|a 92
|b IZTAP
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