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|b E965 2006
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|a UAMI
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|a Experimental film and video :
|b an anthology /
|c edited by Jackie Hatfield ; picture editor, Stephen Littman.
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|a Eastleigh, UK :
|b John Libbey Pub. ;
|a Bloomington, IN :
|b Distributed in North America by Indiana University Press,
|c ©2006.
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|a 1 online resource (xvii, 283 pages) :
|b illustrations (some color)
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
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|a Includes bibliographical references.
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|3 Use copy
|f Restrictions unspecified
|2 star
|5 MiAaHDL
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|a Electronic reproduction.
|b [Place of publication not identified] :
|c HathiTrust Digital Library,
|d 2010.
|5 MiAaHDL
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|a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
|u http://purl.oclc.org/DLF/benchrepro0212
|5 MiAaHDL
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|a digitized
|c 2010
|h HathiTrust Digital Library
|l committed to preserve
|2 pda
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|a Print version record.
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|g Section I
|t Philosophies and Critical Histories of Avant-Garde Film and Current Practice
|g 1 --
|g Chapter 1
|t Post Future Past Perfect /
|r Grahame Weinbren
|g 3 --
|g Chapter 2
|t Matter's Time Time For Material /
|r Peter Gidal
|g 18 --
|g Chapter 3
|t Films and Installations -- A Systems View of Nature /
|r Chris Welsby
|g 26 --
|g Chapter 4
|t A Line Through My Work /
|r Nicky Hamlyn
|g 36 --
|g Chapter 5
|t A Few Notes on Filmmaking /
|r Jayne Parker
|g 47 --
|g Chapter 6
|t Film Noise Aesthetics /
|r Rob Gawthrop
|g 53 --
|g Chapter 7
|t Line Describing a Cone and Related Films /
|r Anthony McCall
|g 61 --
|g Section II
|t Languages of Representation in Film and Video: Thresholds of Materiality
|g 75 --
|g Chapter 8
|t Trilogical Distractions /
|r Lis Rhodes
|g 77 --
|g Chapter 9
|t The 'autoethnographic' in Chantal Akerman's News from Home, and an Analysis of Almost Out and Stages of Mourning /
|r Sarah Pucill
|g 83 --
|g Chapter 10
|t Film, The Body, The Fold An Interview with Nina Danino on Now I Am Yours /
|r Nina Danino, Susanna Poole
|g 93 --
|g Chapter 11
|t Attitudes 1-8 /
|r Katherine Meynell
|g 102 --
|g Chapter 12
|t Video Works 1973-1983 /
|r David Critchley
|g 107 --
|g Chapter 13
|t Early Video Tapes 1978-1987 /
|r Chris Meigh-Andrews
|g 113 --
|g Chapter 14
|t Andrew Kotting. What he does, how he does it and the context in which it has been done: An Alphabetarium of Kotting /
|r Gareth Evans, Andrew Kotting
|g 126 --
|g Chapter 15
|t Ardent for Some Desperate Glory: Revisiting Smothering Dreams /
|r Daniel Reeves
|g 137 --
|g Chapter 16
|t War Stories, or Why I Make Videos About Old Soldiers /
|r Cate Elwes
|g 151 --
|g Chapter 17
|t Moving Parts: The Divergence of Practice /
|r Vicky Smith
|g 163 --
|g Section III
|t Philosophies and Critical Histories of Video Art to Cinema
|g 169 --
|g Chapter 18
|t Mutation on a Form /
|r Karen Mirza, Brad Butler
|g 171 --
|g Chapter 19
|t Video: Incorporeal, Incorporated /
|r Stephen Partridge
|g 180 --
|g Chapter 20
|t Tamara Krikorian -- Defending the Frontier /
|r Cate Elwes
|g 190 --
|g Chapter 21
|t Another Place -- David Hall /
|r Jackie Hatfield
|g 200 --
|g Chapter 22
|t Alchemy and the Digital Imaginary /
|r David Larcher, interviewed by Stephen Littman
|g 212 --
|g Chapter 23
|t Reflections on My Practice and Media Specificity /
|r Malcolm Le Grice
|g 220 --
|g Chapter 24
|t Expanded Cinema -- Proto, Post-Photo /
|r Jackie Hatfield
|g 237 --
|g Chapter 25
|t Image Con Text (1978-2003): Film/Performance/Video/Digital /
|r Mike Leggett
|g 246 --
|g Section IV
|t Images
|g 263.
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|a The past 40 years of technological innovation have significantly altered the materials of production and revolutionized the possibilities for experiment and exhibition. Not since the invention of film has there been such a critical period of major change in the imaging technologies accessible to artists. Bringing together key artists in film, video, and digital media, the anthology of Experimental Film and Video revisits the divergent philosophical and critical discourses of the 1970s and repositions these debates relative to contemporary practice. Forty artists have contributed images, and 25.
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a Experimental films
|x History and criticism.
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|a Video art.
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|a Experimental films.
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|a Films expérimentaux.
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|a Art vidéo.
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|a video art.
|2 aat
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|a PERFORMING ARTS
|x Film & Video
|x History & Criticism.
|2 bisacsh
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|a Experimental films
|2 fast
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|a Video art
|2 fast
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|a Experimentele filmkunst.
|2 gtt
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|a Criticism, interpretation, etc.
|2 fast
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|a Hatfield, Jackie.
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|a Littman, Stephen.
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|i Print version:
|t Experimental film and video.
|d Eastleigh, UK : John Libbey Pub. ; Bloomington, IN : Distributed in North America by Indiana University Press, ©2006
|w (DLC) 2006287359
|w (OCoLC)70956555
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctt16gz6vq
|z Texto completo
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|a YBP Library Services
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|a Internet Archive
|b INAR
|n experimentalfilm0000unse
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|a 92
|b IZTAP
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