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The early modern corpse and Shakespeare's theatre /

Within a theoretical framework that makes use of history, psychoanalysis and anthropology, The Early Modern Corpse and Shakespeare's Theatre explores the relationship of the public theatre to the question of what constituted the 'dead' in early modern English culture. Susan Zimmerman...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Zimmerman, Susan, 1939- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Edinburgh : Edinburgh University Press, [2005]
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Zimmerman, Susan,  |d 1939-  |e author. 
245 1 4 |a The early modern corpse and Shakespeare's theatre /  |c Susan Zimmerman. 
264 1 |a Edinburgh :  |b Edinburgh University Press,  |c [2005] 
264 4 |c ©2005 
300 |a 1 online resource (vii, 214 pages) 
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504 |a Includes bibliographical references (pages 199-207) and index. 
505 0 |a Dead bodies -- Body imaging and religious reform : the corpse as idol -- Animating matter : the corpse as idol in The second maiden's tragedy and The Duke of Milan -- Invading the grave : shadow lives in The Revenger's tragedy and The Duchess of Malfi -- Killing the dead : Duncan's corpse and Hamlet's ghost -- Epilogue : last words. 
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520 |a Within a theoretical framework that makes use of history, psychoanalysis and anthropology, The Early Modern Corpse and Shakespeare's Theatre explores the relationship of the public theatre to the question of what constituted the 'dead' in early modern English culture. Susan Zimmerman argues that concepts of the corpse as a semi-animate, generative and indeterminate entity were deeply rooted in medieval religious culture. Such concepts ran counter to early modern discourses that sought to harden categorical distinctions between body/spirit, animate/inanimate -- in particular, the attacks of Reformists on the materiality of 'dead' idols, and the rationale of the new anatomy for publicly dissecting 'dead' bodies. Zimmerman contends that within this context, theatrical representations of the corpse or corpse/revenant -- as seen here in the tragedies of Shakespeare and his contemporaries -- uniquely showcased the theatre's own ideological and performative agency. Original in its conjunction of critical theory (Bataille, Kristeva, Lacan, Benjamin) with an historical account of the shifting status of the corpse in late medieval and early modern England. The first study to demonstrate connections between the meanings attached to the material body in early modern Protestantism, the practice of anatomical dissection, and the English public theatre. Strong market appeal to scholars and graduate students with interests in the theatre of Shakespeare and his contemporaries, early modern religion and science, and literary theory. Relevant to advanced undergraduates taking widely taught courses in Shakespeare and in Renaissance drama. 
545 0 |a Susan Zimmerman is Professor of English at the City University of New York. 
546 |a English. 
588 0 |a Print version record. 
590 |a JSTOR  |b Books at JSTOR Evidence Based Acquisitions 
590 |a JSTOR  |b Books at JSTOR All Purchased 
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600 1 0 |a Shakespeare, William,  |d 1564-1616  |x Tragedies. 
600 1 6 |a Shakespeare, William,  |d 1564-1616  |x Tragédies. 
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650 0 |a Dead in literature. 
650 0 |a English drama  |y Early modern and Elizabethan, 1500-1600  |x History and criticism. 
650 0 |a Medicine in literature. 
650 2 |a Medicine in Literature 
650 6 |a Morts dans la littérature. 
650 6 |a Théâtre anglais  |y 16e siècle  |x Histoire et critique. 
650 6 |a Médecine dans la littérature. 
650 7 |a LITERARY CRITICISM  |x Shakespeare.  |2 bisacsh 
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655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
776 0 8 |i Print version:  |a Zimmerman, Susan, 1939-  |t Early modern corpse and Shakespeare's theatre.  |d Edinburgh : Edinburgh University Press, ©2005  |w (DLC) 2007310189  |w (OCoLC)56964893 
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