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Oye como va! : hybridity and identity in Latino popular music /
"In Oye Como Va!, Deborah Pacini Hernandez traces the trajectories of various U.S. Latino musical forms in a globalizing world, examining how the blending of Latin music reflects Latino/a American lives connecting across nations. Exploring the simultaneously powerful, vexing, and stimulating re...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Philadelphia :
Temple University Press,
2010.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Pacini Hernandez, Deborah, |e author. | |
| 245 | 1 | 0 | |a Oye como va! : |b hybridity and identity in Latino popular music / |c Deborah Pacini Hernandez. |
| 246 | 3 | 0 | |a Hybridity and identity in Latino popular music |
| 264 | 1 | |a Philadelphia : |b Temple University Press, |c 2010. | |
| 300 | |a 1 online resource (xiii, 220 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
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| 347 | |a data file | ||
| 504 | |a Includes bibliographical references (pages 163-206) and index. | ||
| 505 | 0 | |a 1. Introduction: Hybridity, identity, and Latino popular music -- 2. Historical perspectives on Latinos and the Latin music industry -- 3. To rock or not to rock : cultural nationalism and Latino engagement with rock 'n' roll -- 4. Turning the tables : musical mixings, border crossings, and new sonic circuitries -- 5. New immigrants, new layerings : tradition and transnationalism in U.S. Dominican popular music -- 6. From cumbia colombiana to cumbia cosmopolatina : roots, routes, race, and mestizaje -- 7. Marketing Latinidad in a global era. | |
| 588 | 0 | |a Online resource; title from digital title page (JSTOR, August 30, 2022) | |
| 520 | |a "In Oye Como Va!, Deborah Pacini Hernandez traces the trajectories of various U.S. Latino musical forms in a globalizing world, examining how the blending of Latin music reflects Latino/a American lives connecting across nations. Exploring the simultaneously powerful, vexing, and stimulating relationship between hybridity, music, and identity, Oye Como Va! asserts that this potent combination is a signature of the U.S. Latino/a experience."--From publisher's description. | ||
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| 650 | 0 | |a Hispanic Americans |v Music |x Social aspects. | |
| 650 | 0 | |a Popular music |x Social aspects |z United States. | |
| 650 | 6 | |a Américains d'origine latino-américaine |v Musique |x Aspect social. | |
| 650 | 6 | |a Musique populaire |x Aspect social |z États-Unis. | |
| 650 | 7 | |a MUSIC |x Genres & Styles |x Pop Vocal. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x General. |2 bisacsh | |
| 650 | 7 | |a Hispanic Americans. |2 fast |0 (OCoLC)fst00957523 | |
| 650 | 7 | |a Popular music |x Social aspects. |2 fast |0 (OCoLC)fst01071460 | |
| 651 | 7 | |a United States. |2 fast |0 (OCoLC)fst01204155 | |
| 776 | 0 | 8 | |i Print version: |a Pacini Hernandez, Deborah. |t Oye como va! |d Philadelphia : Temple University Press, 2010 |z 9781439900895 |w (DLC) 2009012832 |w (OCoLC)317778119 |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctt1bw1j5k |z Texto completo |
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