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Masculinity besieged? : issues of modernity and male subjectivity in Chinese literature of the late twentieth century /

In Masculinity Besieged? Xueping Zhong looks at Chinese literature and films produced during the 1980s to examine male subjectivities in contemporary China. Reading through a feminist psychoanalytic lens, Zhong argues that understanding the nature of male subjectivities as portrayed in literature an...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Zhong, Xueping, 1956- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Durham : Duke University Press, 2000.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Zhong, Xueping,  |d 1956-  |e author. 
245 1 0 |a Masculinity besieged? :  |b issues of modernity and male subjectivity in Chinese literature of the late twentieth century /  |c Xueping Zhong. 
246 3 0 |a Issues of modernity and male subjectivity in Chinese literature of late twentieth century 
260 |a Durham :  |b Duke University Press,  |c 2000. 
300 |a 1 online resource (x, 208 pages) 
336 |a text  |b txt  |2 rdacontent 
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504 |a Includes bibliographical references (pages 191-198) and index. 
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588 0 |a Print version record. 
505 0 0 |g Ch. 1.  |t Masculinity Besieged? Toward an Understanding of Chinese Modernity and Male Subjectivity --  |g Ch. 2.  |t Sexuality and Male Desire for "Potency" --  |g Ch. 3.  |t From Heroes to Adjuncts, Nobodies, and Antiheroes: The Politics of (Male) Marginality --  |g Ch. 4.  |t Zazhong gaoliang and the Male Search for Masculinity --  |g Ch. 5.  |t Manhood, Cultural Roots, and National Identity. 
546 |a English. 
520 |a In Masculinity Besieged? Xueping Zhong looks at Chinese literature and films produced during the 1980s to examine male subjectivities in contemporary China. Reading through a feminist psychoanalytic lens, Zhong argues that understanding the nature of male subjectivities as portrayed in literature and film is crucial to understanding China's ongoing quest for modernity. Before the 1990s onslaught of popular culture decentered the role of intellectuals within the nation, they had come to embody Chinese masculinity during the previous decade. The focus on masculinity in literature had become unprecedented in scale and the desire for "real men" began to permeate Chinese popular culture, making icons out of Rambo and Takakura Ken. Stories by Zhang Xianliang and Liu Heng portraying male anxiety about masculine sexuality are employed by Zhong to show how "marginal" males negotiate their sexual identities in relation to both women and the state. Looking at writers popular among not only the well-educated but also the working and middle classes, she discusses works by Han Shaogong, Yu Hua, and Wang Shuo and examines instances of self-loathing male voices, particularly as they are articulated in Mo Yan's well-known work Red Sorghum. In her last chapter Zhong examines "roots literature," which speaks of the desire to create strong men as a part of the effort to create a geopolitically strong Chinese nation. In an afterword, Zhong situates her study in the context of the 1990s. This book will be welcomed by scholars of Chinese cultural studies, as well as in literary and gender studies 
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650 0 |a Chinese literature  |y 20th century  |x History and criticism. 
650 0 |a Masculinity in literature. 
650 0 |a Literature and society  |z China. 
650 6 |a Littérature chinoise  |y 20e siècle  |x Histoire et critique. 
650 6 |a Masculinité dans la littérature. 
650 6 |a Littérature et société  |z Chine. 
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650 7 |a Littérature chinoise  |y 20e siècle  |x Histoire et critique.  |2 ram 
650 7 |a Littérature et société  |z Chine.  |2 ram 
650 7 |a Masculinité dans la littérature.  |2 ram 
648 7 |a 1900-1999  |2 fast 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
776 0 8 |i Print version:  |a Zhong, Xueping, 1956-  |t Masculinity besieged?  |d Durham : Duke University Press, 2000  |z 0822324067  |w (DLC) 99050298  |w (OCoLC)42641709 
856 4 0 |u https://jstor.uam.elogim.com/stable/10.2307/j.ctv11smg8f  |z Texto completo 
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