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Movie-struck girls : women and motion picture culture after the nickelodeon /
Movie-Struck Girls examines women's films and filmgoing in the 1910s, a period when female patronage was energetically courted by the industry for the first time. By looking closely at how women were invited to participate in movie culture, the films they were offered, and the visual pleasures...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Princeton, N.J. :
Princeton University Press,
©2000.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Stamp, Shelley, |d 1963- | |
| 245 | 1 | 0 | |a Movie-struck girls : |b women and motion picture culture after the nickelodeon / |c Shelley Stamp. |
| 260 | |a Princeton, N.J. : |b Princeton University Press, |c ©2000. | ||
| 300 | |a 1 online resource (x, 274 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
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| 504 | |a Includes bibliographical references (pages 241-266) and index. | ||
| 506 | |3 Use copy |f Restrictions unspecified |2 star |5 MiAaHDL | ||
| 533 | |a Electronic reproduction. |b [Place of publication not identified] : |c HathiTrust Digital Library, |d 2010. |5 MiAaHDL | ||
| 538 | |a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |u http://purl.oclc.org/DLF/benchrepro0212 |5 MiAaHDL | ||
| 583 | 1 | |a digitized |c 2010 |h HathiTrust Digital Library |l committed to preserve |2 pda |5 MiAaHDL | |
| 588 | 0 | |a Print version record. | |
| 520 | |a Movie-Struck Girls examines women's films and filmgoing in the 1910s, a period when female patronage was energetically courted by the industry for the first time. By looking closely at how women were invited to participate in movie culture, the films they were offered, and the visual pleasures they enjoyed, Shelley Stamp demonstrates that women significantly complicated cinemagoing throughout this formative, transitional era. Growing female patronage and increased emphasis on women's subject matter did not necessarily bolster cinema's cultural legitimacy, as many in the industry had hoped, for women were not always enticed to the cinema by dignified, uplifting material, and once there, they were not always seamlessly integrated in the social space of theaters, nor the new optical pleasures of film viewing. In fact, Stamp argues that much about women's films and filmgoing in the postnickelodeon years challenged, rather than served, the industry's drive for greater respectability. White slave films, action-adventure serial dramas, and women's suffrage photoplays all drew female audiences to the cinema with stories aimed directly at women's interests and with advertising campaigns that specifically targeted female moviegoers. Yet these examples suggest that women's patronage was built with stories focused on sexuality, sensational thrill-seeking, and feminist agitation, topics not normally associated with ladylike gentility. And in each case concerns were raised about women's conduct at cinemas and the viewing habits they enjoyed, demonstrating that women's integration into motion picture culture was not as smooth as many have thought. | ||
| 505 | 0 | 0 | |t Frontmatter -- |t Contents -- |t Acknowledgments -- |t Introduction -- |t One. Spare Us One Evening: Cultivating Cinema's Female Audience -- |t Two. Is Any Girl Safe? Motion Pictures, Women's Leisure, and the White Slavery Scare -- |t Three. Ready-Made Customers: Female Movie Fans and the Serial Craze -- |t Four. Civic Housekeeping: Women's Suffrage, Female Viewers, and the Body Politic -- |t Conclusion -- |t Notes -- |t Selected Bibliography -- |t Index |
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 650 | 0 | |a Motion pictures and women. | |
| 650 | 0 | |a Motion pictures for women. | |
| 650 | 0 | |a Women in motion pictures. | |
| 650 | 0 | |a Culture in motion pictures. | |
| 650 | 6 | |a Cinéma et femmes. | |
| 650 | 6 | |a Films de femme. | |
| 650 | 6 | |a Femmes au cinéma. | |
| 650 | 6 | |a Culture au cinéma. | |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
| 650 | 7 | |a Culture in motion pictures. |2 fast |0 (OCoLC)fst01902963 | |
| 650 | 7 | |a Motion pictures and women. |2 fast |0 (OCoLC)fst01027425 | |
| 650 | 7 | |a Motion pictures for women. |2 fast |0 (OCoLC)fst01027432 | |
| 650 | 7 | |a Women in motion pictures. |2 fast |0 (OCoLC)fst01177931 | |
| 776 | 0 | 8 | |i Print version: |a Stamp, Shelley, 1963- |t Movie-struck girls. |d Princeton, N.J. : Princeton University Press, ©2000 |w (DLC) 99046548 |w (OCoLC)42295854 |
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