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Deleuze and horror film /
The horror film analysed from a Deleuzian perspective. This book argues that dominant psychoanalytic approaches to horror films neglect the aesthetics of horror. Yet cinematic devices such as mise en sc÷ne, editing and sound, are central to the viewer's visceral fear and arousal. Using Deleuz...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Edinburgh :
Edinburgh University Press,
2005.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Powell, Anna, |e author. | |
| 245 | 1 | 0 | |a Deleuze and horror film / |c Anna Powell. |
| 260 | |a Edinburgh : |b Edinburgh University Press, |c 2005. | ||
| 300 | |a 1 online resource (vii, 232 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 347 | |a data file | ||
| 380 | |a Filmography | ||
| 504 | |a Includes filmography: pages 223-224. | ||
| 504 | |a Includes bibliographical references (pages 216-222) and index. | ||
| 505 | 0 | |a A Deleuzian slant on horror -- Structure and rationale -- Psychoanalysis and horror -- Schizoanalysis : pure naked intensity -- Schizoanalysis, art, horror -- Psycho as schizo -- The mise-en-scène of madeness : The cabinet of Dr. Caligari -- "Man is not truly one, but truly two" : the schizoid screen in Dr. Jekyll and Mr. Hyde -- "Schizoid misery and glory" : feeling repulsion -- The brain as mise-en-scène : The shining -- Place, time, and motion -- The schizoid maching : imaginary friends -- "Trapped in a world of ghosts" : intensive states in Natural born killers -- Natural born predators -- Becoming-schizo -- Back-projections and other anomalies -- Body-horror, masochism, and film studies -- Becoming anomalous -- Becoming-indeterminate : Cat people -- Becoming-woman -- Sharing species : Alien resurrection -- Ripley and her relatives -- The bodies-without-organs of horror -- Uncontrollable flesh : Videodrome -- Frank pulls himself together : Hellraiser -- Becoming-invisible : The hollow man -- Machinic desire : becoming-human in Demon seed -- Heavy metal meets the soft machine : Hardware -- Freddy Krueger : shape-shifter extraordinaire -- Sensation and perception : the aesthetics of affect -- Bergson's movement-image in Deleuze -- Moving images -- The infinate spirit of evil : the forces of light and darkness in Nosferatu -- Into the black hole -- Forces in combat -- In a glass darkly : lyrical abstraction and molecularity in Vampyr -- Sensory anomalies and intensive space -- Sensational colour : spectral horror -- Death by colour : The masque of the red death -- Dressed to express : colour and costume in The vampire lovers -- Tactisigns of terror : Suspiria -- The face of horror : the intensive affection-image in Les yeux sans visage -- Bergson's time : movement and duration -- Deleuze's time-image -- Time and motion -- Duration and entrapment in the Gothic haunted house : The haunting -- Haunted cinematography and mise-en-scène -- Death by flashback : Jacob's ladder -- Incompossible worlds -- "They're coming out of the walls" -- Back from the black hole : Event horizon -- Inner space in outer space : travels in duration -- "It's alive" : the Event horizon as demonic machine -- Dreaming duration in Mulholland Drive -- Betty's "dream place" -- Diane in duration -- Space-time and dream duration -- Living horror : thoughts on our nerve-endings. | |
| 506 | |3 Use copy |f Restrictions unspecified |2 star |5 MiAaHDL | ||
| 533 | |a Electronic reproduction. |b [Place of publication not identified] : |c HathiTrust Digital Library, |d 2010. |5 MiAaHDL | ||
| 538 | |a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |u http://purl.oclc.org/DLF/benchrepro0212 |5 MiAaHDL | ||
| 583 | 1 | |a digitized |c 2010 |h HathiTrust Digital Library |l committed to preserve |2 pda |5 MiAaHDL | |
| 588 | 0 | |a Print version record. | |
| 520 | |a The horror film analysed from a Deleuzian perspective. This book argues that dominant psychoanalytic approaches to horror films neglect the aesthetics of horror. Yet cinematic devices such as mise en sc÷ne, editing and sound, are central to the viewer's visceral fear and arousal. Using Deleuze's work on art and film, Anna Powell argues that film viewing is a form of 'altered consciousness' and the experience of viewing horror film an 'embodied event'. The book begins with a critical introduction to the key terms in Deleuzian philosophy and aesthetics. These include: subjectivity/becoming, the body without organs, molecularity, time/duration, affect, movement/rhythm, space, anomaly and schizoanalysis. These concepts are then applied to horror films. Themes such as insanity, sensory response to film, the subject/object, fractured time, the body and cinematography are explored in horror films such as Jacob's Ladder, Dr Jekyll and Mr Hyde, Psycho, Silence of the Lambs, The Fly, A Nightmare on Elm Street, Alien Resurrection, The Others, The Shining, Interview with the Vampire, Bram Stoker's Dracula and Nosferatu. Features*A substantial new contribution to horror film theory*A critical introduction to key terms in Deleuzian philosophy and aesthetics *New readings of the classic horror canon and recent films*Analysis of horror styles, narrative and special effects. Deleuze and Horror Film was originally published in hardback in March 2005. The paperback edition was published in November 2006. | ||
| 506 | 1 | |a Legal Deposit; |c Only available on premises controlled by the deposit library and to one user at any one time; |e The Legal Deposit Libraries (Non-Print Works) Regulations (UK). |5 WlAbNL | |
| 540 | |a Restricted: Printing from this resource is governed by The Legal Deposit Libraries (Non-Print Works) Regulations (UK) and UK copyright law currently in force. |5 WlAbNL | ||
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 600 | 1 | 0 | |a Deleuze, Gilles |x Criticism and interpretation. |
| 600 | 1 | 7 | |a Deleuze, Gilles, |d 1925-1995 |2 fast |
| 600 | 1 | 7 | |a Deleuze, Gilles. |2 swd |
| 650 | 0 | |a Horror films |x History and criticism. | |
| 650 | 6 | |a Films d'horreur |x Histoire et critique. | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x General. |2 bisacsh | |
| 650 | 7 | |a Horror films |2 fast | |
| 650 | 7 | |a Horrorfilm |2 gnd | |
| 650 | 1 | 7 | |a Griezelfilms. |2 gtt |
| 655 | 7 | |a Horror films |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 655 | 7 | |a Horror films. |2 gsafd | |
| 655 | 7 | |a Horror films. |2 lcgft | |
| 655 | 7 | |a Films d'horreur. |2 rvmgf | |
| 776 | 0 | 8 | |i Print version: |a Powell, Anna. |t Deleuze and horror film. |d Edinburgh : Edinburgh University Press, 2005 |z 0748617477 |w (OCoLC)57692593 |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.3366/j.ctt1r25fz |z Texto completo |
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