|
|
|
|
LEADER |
00000cam a2200000 i 4500 |
001 |
JSTOR_ocn607373813 |
003 |
OCoLC |
005 |
20231005004200.0 |
006 |
m o d |
007 |
cr bn||||||abp |
007 |
cr bn||||||ada |
008 |
100414t19991999txua ob s001 0 eng d |
040 |
|
|
|a OCLCE
|b eng
|e pn
|e rda
|c OCLCE
|d OCLCQ
|d OCLCO
|d OCLCF
|d OCLCO
|d OCLCQ
|d N$T
|d YDX
|d OCLCQ
|d OCLCO
|d OCLCQ
|d INARC
|d OCLCO
|d JSTOR
|d OCLCQ
|d FTB
|d OCLCO
|
019 |
|
|
|a 300710451
|a 1148185887
|
020 |
|
|
|a 9780292745117
|q electronic book
|
020 |
|
|
|a 0292745117
|q electronic book
|
020 |
|
|
|z 9780292771000
|q hardcover ;7
|q alkaline paper
|
020 |
|
|
|z 0292771002
|q hardcover ;
|q alkaline paper
|
020 |
|
|
|z 9780292771017
|q paperback ;
|q alkaline paper
|
020 |
|
|
|z 0292771010
|q paperback ;
|q alkaline paper
|
029 |
1 |
|
|a AU@
|b 000065471855
|
035 |
|
|
|a (OCoLC)607373813
|z (OCoLC)300710451
|z (OCoLC)1148185887
|
037 |
|
|
|a 22573/ctv2dm5gqs
|b JSTOR
|
042 |
|
|
|a dlr
|
043 |
|
|
|a e-it---
|
050 |
|
4 |
|a PN1993.5.I88
|b R59 1999
|
072 |
|
7 |
|a PER
|x 009000
|2 bisacsh
|
072 |
|
7 |
|a PER
|x 004030
|2 bisacsh
|
082 |
0 |
4 |
|a 791.43/0945
|2 21
|
049 |
|
|
|a UAMI
|
100 |
1 |
|
|a Rocchio, Vincent F.
|q (Vincent Floyd),
|d 1960-
|e author.
|
245 |
1 |
0 |
|a Cinema of anxiety :
|b a psychoanalysis of Italian neorealism /
|c Vincent F. Rocchio.
|
250 |
|
|
|a First edition.
|
264 |
|
1 |
|a Austin :
|b University of Texas Press,
|c 1999.
|
264 |
|
4 |
|c ©1999
|
300 |
|
|
|a 1 online resource (xi, 190 pages) :
|b illustrations
|
336 |
|
|
|a text
|b txt
|2 rdacontent
|
337 |
|
|
|a computer
|b c
|2 rdamedia
|
338 |
|
|
|a online resource
|b cr
|2 rdacarrier
|
504 |
|
|
|a Includes bibliographical references (pages [175]-180) and index.
|
505 |
0 |
0 |
|g 1.
|t Revisiting Psychoanalysis and the Cinema --
|g 2.
|t Rome: Open City: Anxiety, Ideology, and Cultural Containment --
|g 3.
|t Bicycle Thieves: Identification, Focalization, and Restoration --
|g 4.
|t La terra trema: Subverting and Structuring Meaning --
|g 5.
|t Bitter Rice: The Return of the Repressed (Diva) --
|g 6.
|t Senso: Degenerate Melodrama? --
|g 7.
|t Psychoanalysis, Cinematic Representation, and Cultural Studies.
|
520 |
|
|
|a "The "new" realism of Italian cinema after World War II represented and in many ways attempted to contain the turmoil of a society struggling to rid itself of Fascism while fighting off the threat of radical egalitarianism at the same time. In this boldly revisionist book, Vincent F. Rocchio combines Lacanian psychoanalysis with narratology and Marxist critical theory to examine the previously neglected relationship between Neorealist films and the historical spectators they address. Rocchio builds his analysis around case studies of the films Rome: Open City, Bicycle Thieves, La Terra Trema, Bitter Rice, and Senso. Through the lens of psychoanalysis, he challenges the traditional understanding of Neorealism as a progressive cinema and instead reveals the anxieties it encodes: a society in political turmoil, an economic system in collapse, and a national cinema in ruins, while war, occupation, collaboration, and retaliation remain a part of everyday life. These case studies demonstrate how Lacanian psychoanalysis can play a key role in analyzing the structure of cinematic discourse and its strategies of containment. As one of the first books outside of feminist film theory to bring the ideas of Lacan to theories of cinema, this book offers innovative methods that reinvigorate film analysis. Clear and detailed insights into both Italian culture and the films under investigation will make this engaging reading for anyone interested in film and cultural studies."--Publisher's description.
|
506 |
|
|
|3 Use copy
|f Restrictions unspecified
|2 star
|5 MiAaHDL
|
533 |
|
|
|a Electronic reproduction.
|b [Place of publication not identified] :
|c HathiTrust Digital Library,
|d 2010.
|5 MiAaHDL
|
538 |
|
|
|a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
|u http://purl.oclc.org/DLF/benchrepro0212
|5 MiAaHDL
|
583 |
1 |
|
|a digitized
|c 2010
|h HathiTrust Digital Library
|l committed to preserve
|2 pda
|5 MiAaHDL
|
588 |
|
|
|a Description based on online resource; title from digital title page (viewed on March 20, 2023).
|
590 |
|
|
|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
|
590 |
|
|
|a JSTOR
|b Books at JSTOR All Purchased
|
600 |
1 |
0 |
|a Lacan, Jacques,
|d 1901-1981.
|
600 |
1 |
6 |
|a Lacan, Jacques,
|d 1901-1981.
|
600 |
1 |
7 |
|a Lacan, Jacques,
|d 1901-1981
|2 fast
|
650 |
|
0 |
|a Motion pictures
|z Italy
|x History.
|
650 |
|
6 |
|a Cinéma
|z Italie
|x Histoire.
|
650 |
|
7 |
|a PERFORMING ARTS
|x Reference.
|2 bisacsh
|
650 |
|
7 |
|a PERFORMING ARTS / Film & Video / History & Criticism
|2 bisacsh
|
650 |
|
7 |
|a Motion pictures
|2 fast
|
651 |
|
7 |
|a Italy
|2 fast
|
655 |
|
7 |
|a History
|2 fast
|
776 |
0 |
8 |
|i Print version:
|a Rocchio, Vincent F. (Vincent Floyd), 1960-
|t Cinema of anxiety.
|b 1st ed.
|d Austin : University of Texas Press, 1999
|w (DLC) 99006046
|w (OCoLC)40674905
|
856 |
4 |
0 |
|u https://jstor.uam.elogim.com/stable/10.7560/771000
|z Texto completo
|
938 |
|
|
|a EBSCOhost
|b EBSC
|n 1479197
|
938 |
|
|
|a YBP Library Services
|b YANK
|n 13528001
|
938 |
|
|
|a Internet Archive
|b INAR
|n cinemaofanxietyp0000rocc
|
994 |
|
|
|a 92
|b IZTAP
|