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JSTOR_ocn607370833 |
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OCoLC |
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20231005004200.0 |
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m o d |
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100414s2004 maua ob 001 0 eng d |
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|a 2003068815
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|a OCLCE
|b eng
|e pn
|c OCLCE
|d OCLCQ
|d OCLCF
|d ACLSE
|d CUS
|d OCLCQ
|d FIE
|d UAB
|d TXC
|d DKC
|d U3W
|d OCLCQ
|d OCLCO
|d LUN
|d SXB
|d MM9
|d UKQUB
|d YDX
|d JSTOR
|d OCLCO
|d EBLCP
|d OCLCO
|d N$T
|d OCLCQ
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|a 301029055
|a 1051716415
|a 1088504647
|a 1089438574
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|a 9780674261587
|q (electronic bk.)
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|a 0674261585
|q (electronic bk.)
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|z 067401314X
|q (alk. paper)
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|z 9780674013148
|q (alk. paper)
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|z 0674013468
|q (pbk. ;
|q alk. paper)
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|z 9780674013469
|q (pbk. ;
|q alk. paper)
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|a NZ1
|b 15919004
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|a AU@
|b 000069990817
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|a (OCoLC)607370833
|z (OCoLC)301029055
|z (OCoLC)1051716415
|z (OCoLC)1088504647
|z (OCoLC)1089438574
|z (OCoLC)1167668279
|z (OCoLC)1167960816
|z (OCoLC)1172252918
|z (OCoLC)1172583352
|z (OCoLC)1179429217
|z (OCoLC)1233320147
|z (OCoLC)1252426841
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037 |
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|a ACLS Humanities
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037 |
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|a 22573/ctv1pk94s2
|b JSTOR
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|a dlr
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|a n-us---
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|a PN1995.9.F54
|b D56 2004
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0 |
4 |
|a 791.43/6552
|2 22
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|a 24.34
|2 bcl
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|a UAMI
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1 |
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|a Dimendberg, Edward,
|e author.
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1 |
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|a Film noir and the spaces of modernity /
|c Edward Dimendberg.
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260 |
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|a Cambridge, Massachusetts :
|b Harvard University Press,
|c 2004.
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|a 1 online resource (x, 327 pages) :
|b illustrations
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a data file
|2 rda
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|a Includes bibliographical references and index.
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|a Naked cities -- Centripetal space -- Walking cures -- Centrifugal space -- Simultaneity, the media environment, and the end of film noir.
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|3 Use copy
|f Restrictions unspecified
|2 star
|5 MiAaHDL
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|a Electronic reproduction.
|b [S.l.] :
|c HathiTrust Digital Library,
|d 2010.
|5 MiAaHDL
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538 |
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|a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
|u http://purl.oclc.org/DLF/benchrepro0212
|5 MiAaHDL
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583 |
1 |
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|a digitized
|c 2010
|h HathiTrust Digital Library
|l committed to preserve
|2 pda
|5 MiAaHDL
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|a Print version record.
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|a Exploring classic examples of film noir such as 'The Asphalt Jungle', 'Double Indemnity' and 'Kiss Me Deadly', alongside many lesser-known works, Dimendberg masterfully interweaves film history and urban history while perceptively analyzing works by Raymond Chandler, Edward Hopper and Siegfried Kracauer.
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590 |
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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590 |
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|a JSTOR
|b Books at JSTOR All Purchased
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650 |
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0 |
|a Film noir
|z United States
|x History and criticism.
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650 |
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6 |
|a Films noirs
|z États-Unis
|x Histoire et critique.
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650 |
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7 |
|a Film noir.
|2 fast
|0 (OCoLC)fst00924273
|
651 |
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7 |
|a United States.
|2 fast
|0 (OCoLC)fst01204155
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650 |
1 |
7 |
|a Metropolen.
|2 gtt
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650 |
1 |
7 |
|a Film noir.
|2 gtt
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1 |
7 |
|a Moderniteit.
|2 gtt
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|
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|a Histoire.
|2 rasuqam
|
650 |
1 |
7 |
|a Film noir.
|2 rasuqam
|
651 |
|
7 |
|a États-Unis.
|2 rasuqam
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655 |
|
7 |
|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
|
776 |
0 |
8 |
|i Print version:
|a Dimendberg, Edward.
|t Film noir and the spaces of modernity.
|d Cambridge, Mass. : Harvard University Press, 2004
|w (DLC) 2003068815
|w (OCoLC)53903558
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830 |
|
0 |
|a ACLS Humanities E-Book (Series)
|
856 |
4 |
0 |
|u https://jstor.uam.elogim.com/stable/10.2307/j.ctv1pncpr0
|z Texto completo
|
938 |
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|a YBP Library Services
|b YANK
|n 302214900
|
938 |
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|a ACLS Humanities E-Book
|b ACLS
|n HEB08248
|
938 |
|
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|a ProQuest Ebook Central
|b EBLB
|n EBL6624755
|
938 |
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|a EBSCOhost
|b EBSC
|n 2934110
|
994 |
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|a 92
|b IZTAP
|