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|a 608384285
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|a 9781684174188
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|a 168417418X
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|z 0674017730
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|q alk. paper)
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|z 9780674017733
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|q alk. paper)
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|a (OCoLC)607184385
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|a 22573/ctt1tkpxjp
|b JSTOR
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|a a-ja---
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|a ML3918.P67
|b A84 2005
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|a UAMI
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|a Aoyagi, Hiroshi,
|d 1963-
|e author.
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|a Islands of eight million smiles :
|b idol performance and symbolic production in contemporary Japan /
|c Hiroshi Aoyagi.
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|a Cambridge, Mass. :
|b Harvard University Asia Center :
|b Distributed by Harvard University Press,
|c 2005.
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|a 1 online resource (xvi, 290 pages) :
|b illustrations
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Harvard East Asian monographs ;
|v 252
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|a Includes bibliographical references (pages 269-283) and index.
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|a The ethnography of idol production : an overview -- The making of Japanese adolescent role models -- Idol performances and gender identities -- Explorations in the field of competing styles -- Following the trajectory of an idol superstar -- Idol fans and the adoration cult -- The spread of idol performances in new industrial economies.
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|3 Use copy
|f Restrictions unspecified
|2 star
|5 MiAaHDL
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|a Electronic reproduction.
|b [Place of publication not identified] :
|c HathiTrust Digital Library,
|d 2010.
|5 MiAaHDL
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|a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
|u http://purl.oclc.org/DLF/benchrepro0212
|5 MiAaHDL
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|a digitized
|c 2010
|h HathiTrust Digital Library
|l committed to preserve
|2 pda
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|a Print version record.
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|a "Since the late 1960s a ubiquitous feature of popular culture in Japan has been the "idol," an attractive young actor, male or female, packaged and promoted as an adolescent role model and exploited by the entertainment, fashion, cosmetic, and publishing industries to market trendy products. This book offers a set of ethnographic case studies regarding the symbolic qualities of idols and how these qualities relate to the conceptualization of selfhood among adolescents in Japan and elsewhere in East Asia where the phenomenon has spread. The author explores how the idol-manufacturing industry absorbs young people into its system of production, molds them into marketable personalities, commercializes their images, and contributes to the construction of ideal images of the adolescent self."--Jacket
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a JSTOR
|b Books at JSTOR All Purchased
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|a Popular music
|x Social aspects
|z Japan.
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|a Music and youth
|z Japan.
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|a Musique populaire
|x Aspect social
|z Japon.
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|a Musique et jeunesse
|z Japon.
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|a HISTORY
|x Modern
|y 20th Century.
|2 bisacsh
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|a Music and youth
|2 fast
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|a Popular music
|x Social aspects
|2 fast
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|a Japan
|2 fast
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|a Idol
|2 gnd
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|a Popmusik
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|a Filmwirtschaft
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|a Heranwachsender
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|a Japan
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|a Populaire cultuur.
|2 gtt
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|a Jongeren.
|2 gtt
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|a Fans.
|2 gtt
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|a Japan.
|2 gtt
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|i Print version:
|a Aoyagi, Hiroshi, 1963-
|t Islands of eight million smiles.
|d Cambridge, Mass. : Harvard University Asia Center : Distributed by Harvard University Press, 2005
|w (DLC) 2004030643
|w (OCoLC)57392613
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|a Harvard East Asian monographs ;
|v 252.
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctt1tm7fbd
|z Texto completo
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|a ProQuest Ebook Central
|b EBLB
|n EBL6407479
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|a YBP Library Services
|b YANK
|n 14769510
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|a 92
|b IZTAP
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