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100414s1998 nyua ob 101 0 eng d |
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|z 97046957
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|a OCLCE
|b eng
|e pn
|c OCLCE
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|a 649884391
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|a 1331426605
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|a AU@
|b 000072376289
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|a (OCoLC)607118212
|z (OCoLC)649884391
|z (OCoLC)1273456369
|z (OCoLC)1273657371
|z (OCoLC)1276821199
|z (OCoLC)1276928195
|z (OCoLC)1331426605
|z (OCoLC)1392312134
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|a 22573/ctv285dmft
|b JSTOR
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|a dlr
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|a PN1995.9.S6
|b P66 1998
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|a 24.31
|2 bcl
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| 049 |
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|a UAMI
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| 245 |
0 |
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|a Postmodernism in the cinema /
|c edited by Cristina Degli-Esposti.
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| 260 |
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|a New York :
|b Berghahn Books,
|c 1998.
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| 300 |
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|a 1 online resource (viii, 264 pages) :
|b illustrations
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| 336 |
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|a text
|b txt
|2 rdacontent
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| 337 |
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|a computer
|b c
|2 rdamedia
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| 338 |
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|a online resource
|b cr
|2 rdacarrier
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| 504 |
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|a Includes bibliographical references and index.
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|a Postmodernism(s) / Cristina Degli-Esposti -- The Player's parody of Hollywood: a different kind of suture / Cynthia Baron -- Intertextual maneuvers around the subaltern: Aladdin as a postmodern text / Marwan M. Kraidy -- Of mice and Bart: the Simpsons and the postmodern / David Weinstein -- Reification and loss in postmodern puberty: the cultural logic of Fredric Jameson and American youth movies / Timothy Shary -- Refiguring pleasure: Itami and the postmodern Japanese film / John Bruns -- De-authorizing the auteur: postmodern politics of interpellation in contemporary European cinema / Rosanna Maule -- Postmodernist condition in post-socialist Eastern European films: the case of a political pastiche and the socialist-Hollywood thriller in recent films of Polish filmmakers / Janina Falkowska -- E.M. Forster's anti-touristic tourism and the sightseeing gaze of cinema / Ellen Strain -- Imaginary geographies: the colonial subject in contemporary French cinema / Christine Bolus-Reichert -- Decapitated spectators: Barton Fink, (post)history, and cinematic pleasure / Barry Laga -- Something like autobiography in Akira Kurosawa's Dreams / Marshall Deutelbaum -- Not waving but drowning by numbers: Peter Greenaway's cautionary tale / Philip Holden-Moses -- A double voice: the dual paternity of Querelle / Mary M. Wiles.
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| 506 |
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|3 Use copy
|f Restrictions unspecified
|2 star
|5 MiAaHDL
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| 533 |
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|a Electronic reproduction.
|b [Place of publication not identified] :
|c HathiTrust Digital Library,
|d 2010.
|5 MiAaHDL
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| 538 |
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|a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
|u http://purl.oclc.org/DLF/benchrepro0212
|5 MiAaHDL
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| 583 |
1 |
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|a digitized
|c 2010
|h HathiTrust Digital Library
|l committed to preserve
|2 pda
|5 MiAaHDL
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| 588 |
0 |
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|a Print version record.
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| 590 |
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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| 590 |
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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| 650 |
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|a Motion pictures
|x Social aspects
|v Congresses.
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| 650 |
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|a Postmodernism
|x Social aspects
|v Congresses.
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| 650 |
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6 |
|a Cinéma
|x Aspect social
|v Congrès.
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| 650 |
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|a Postmodernisme
|x Aspect social
|v Congrès.
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| 650 |
|
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|a PERFORMING ARTS / Film & Video / History & Criticism
|2 bisacsh
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| 650 |
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|a Motion pictures
|x Social aspects
|2 fast
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| 650 |
|
7 |
|a Postmodernism
|x Social aspects
|2 fast
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| 650 |
|
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|a Postmoderne
|2 gnd
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| 650 |
|
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|a Kongress
|2 gnd
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| 650 |
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|a Film
|2 gnd
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| 650 |
1 |
7 |
|a Postmodernisme.
|2 gtt
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| 650 |
1 |
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|a Filmkunst.
|2 gtt
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| 655 |
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|a Conference papers and proceedings
|2 fast
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| 700 |
1 |
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|a Degli-Esposti, Cristina.
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| 776 |
0 |
8 |
|i Print version:
|t Postmodernism in the cinema.
|d New York : Berghahn Books, 1998
|w (DLC) 97046957
|w (OCoLC)37935269
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| 856 |
4 |
0 |
|u https://jstor.uam.elogim.com/stable/10.2307/j.ctv287sghp
|z Texto completo
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| 938 |
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|a YBP Library Services
|b YANK
|n 301181677
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|a EBSCOhost
|b EBSC
|n 2403599
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|a Internet Archive
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|n postmodernisminc0000unse
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