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|z 98026024
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|a 1080549217
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|a 1162205440
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|a 1280827163
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|z 0801433347
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|z (OCoLC)1162205440
|z (OCoLC)1280721880
|z (OCoLC)1280827163
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|a 22573/ctv3pdrfz
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|a dlr
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|a PN1751
|b .E49 1999
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|a LIT
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|a UAMI
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|a Enders, Jody,
|d 1955-
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|a The medieval theater of cruelty :
|b rhetoric, memory, violence /
|c Jody Enders.
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|a Ithaca :
|b Cornell University Press,
|c 1999.
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|a 1 online resource (xvii, 268 pages) :
|b illustrations
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|a text
|b txt
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|a computer
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|2 rdamedia
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|a online resource
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|a Includes bibliographical references (pages 239-260) and index.
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|3 Use copy
|f Restrictions unspecified
|2 star
|5 MiAaHDL
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|a Electronic reproduction.
|b [Place of publication not identified] :
|c HathiTrust Digital Library,
|d 2010.
|5 MiAaHDL
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|a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
|u http://purl.oclc.org/DLF/benchrepro0212
|5 MiAaHDL
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|a digitized
|c 2010
|h HathiTrust Digital Library
|l committed to preserve
|2 pda
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|a Print version record.
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|t Frontmatter --
|t Contents --
|t Illustrations --
|t Preface --
|t Abbreviations --
|t A Polemical Introduction --
|t Chapter 1. The Dramatic Violence of Invention --
|t Chapter 2. The Memory of Pain --
|t Chapter 3. The Performance of Violence --
|t Conclusion: Vicious Cycles --
|t Works Cited --
|t Index
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|a Why did medieval dramatists weave so many scenes of torture into their plays? Exploring the cultural connections among rhetoric, law, drama, literary creation, and violence, Jody Enders addresses an issue that has long troubled students of the Middle Ages. Theories of rhetoric and law of the time reveal, she points out, that the ideology of torture was a widely accepted means for exploiting such essential elements of the stage and stagecraft as dramatic verisimilitude, pity, fear, and catharsis to fabricate truth. Analyzing the consequences of torture for the history of aesthetics in general and of drama in particular, Enders shows that if the violence embedded in the history of rhetoric is acknowledged, we are better able to understand not only the enduring "theater of cruelty" identified by theorists from Isidore of Seville to Antonin Artaud, but also the continuing modern devotion to the spectacle of pain.
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a Drama, Medieval
|x History and criticism.
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|a Theater
|x History
|y Medieval, 500-1500.
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|a Violence in literature.
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|a Violence in the theater.
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|a Théâtre médiéval
|x Histoire et critique.
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|a Violence dans la littérature.
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|a Violence au théâtre.
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|a Théâtre
|x Histoire
|y 500-1500 (Moyen Âge)
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|a LITERARY CRITICISM
|x Drama.
|2 bisacsh
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|a Drama, Medieval
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|a Theater
|x Medieval
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|a Violence in literature
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|a Violence in the theater
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|a Toneel.
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|a Geweld.
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|a 500-1500
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|a Criticism, interpretation, etc.
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|a History
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|i Print version:
|a Enders, Jody, 1955-
|t Medieval theater of cruelty.
|d Ithaca : Cornell University Press, 1999
|w (DLC) 98026024
|w (OCoLC)39300174
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|u https://jstor.uam.elogim.com/stable/10.7591/j.ctv3s8n76
|z Texto completo
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|a Project MUSE
|b MUSE
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|a YBP Library Services
|b YANK
|n 15611439
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|a Internet Archive
|b INAR
|n medievaltheatero0000ende
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|a 92
|b IZTAP
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