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African Renaissance : new forms, old images in Yoruba art /

African Renaissance: New Forms, Old Images in Yoruba Art describes, analyzes, and interprets the historical and cultural contexts of an African art renaissance using the twentieth- and twenty-first-century transformation of ancient Yoruba artistic heritage. Juxtaposing ancient and contemporary Yorub...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Okediji, Moyosore B. (Moyosore Benjamin)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Louisville : University Press of Colorado, ©2002.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Okediji, Moyosore B.  |q (Moyosore Benjamin) 
245 1 0 |a African Renaissance :  |b new forms, old images in Yoruba art /  |c Moyo Okediji. 
260 |a Louisville :  |b University Press of Colorado,  |c ©2002. 
300 |a 1 online resource (xvi, 201 pages) :  |b illustrations 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
504 |a Includes bibliographical references (pages 191-194) and index. 
505 0 |a Lost and found: excavation of ancient Yoruba artistic traditions. -- Imposition period: suppression of ancient artistic traditions (1900-1945) -- Opposition period: revival of ancient customs and traditions (i945-1960) -- Exposition period: revision of ancient artistic traditions (1960-1990) -- Emigration period: relocation of African artists (since 1990) -- Transatlantic Renaissance: reclamation, retention and returning from diaspora. 
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520 |a African Renaissance: New Forms, Old Images in Yoruba Art describes, analyzes, and interprets the historical and cultural contexts of an African art renaissance using the twentieth- and twenty-first-century transformation of ancient Yoruba artistic heritage. Juxtaposing ancient and contemporary Yoruba art, Moyo Okediji defines this art history through the lens of colonialism, an experience that served to both destroy ancient art traditions and revive Yoruba art in the twentieth century. With vivid reproductions of paintings, prints, and drawings, Okediji describes how Yoruba art has replenished and redefined itself. Okediji groups the text into several broadly overlapping periods that intricately detail the journey of Yoruba art and artists: first through oppression by European colonialism, then the attainment of Nigeria's independence and the new nation's subsequent military coup, and ending with present-day native Yoruban artists fleeing their homeland. 
533 |a Electronic reproduction.  |b [Place of publication not identified] :  |c HathiTrust Digital Library,  |d 2010.  |5 MiAaHDL 
538 |a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.  |u http://purl.oclc.org/DLF/benchrepro0212  |5 MiAaHDL 
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651 0 |a Nigeria  |x History. 
650 0 |a Art  |x History. 
650 0 |a Art, African. 
650 0 |a Art, Yoruba  |y 20th century. 
651 6 |a Nigeria  |x Histoire. 
650 6 |a Art  |x Histoire. 
650 6 |a Art africain. 
650 6 |a Art yoruba  |y 20e siècle. 
650 7 |a art history.  |2 aat 
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650 7 |a Art  |2 fast 
650 7 |a Art, Yoruba  |2 fast 
651 7 |a Nigeria  |2 fast 
650 1 7 |a Joruba (volk)  |2 gtt 
650 1 7 |a Kunst.  |2 gtt 
648 7 |a 1900-1999  |2 fast 
655 7 |a History  |2 fast 
776 0 8 |i Print version:  |a Okediji, Moyosore B. (Moyosore Benjamin).  |t African Renaissance.  |d Boulder : University Press of Colorado, ©2002  |w (DLC) 2002003448  |w (OCoLC)49260168 
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