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Philosophy, music, and emotion /
Philosophy, Music and Emotion explores two issues which have been intensively debated in contemporary philosophy: the nature of music's power to express emotion, and the nature of emotion itself. It shows how closely the two topics are related and provides a radically new account of what it mea...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Edinburgh :
Edinburgh University Press,
©2002.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Introduction
- Chapter 1: Contour and convention
- Contour
- Convention
- Do we 'animate' musical gestures?
- Chapter 2: Musics's arousal of emotion
- Why Hanslick is wrong
- Music's arousal of emotion
- Chapter 4: The advantages of the new arousalist position
- Conclusion
- Chapter 5: Emotion, judgement and desire
- Why the standard judgementalist view of emotion is untenable
- Desire and intentional feeling
- Why not all reason-providing desire have an affective dimension
- What is the exact role of intentional feeling?
- Chapter 6: Pleasure and emotion
- The threat of Hedonism
- Hedonistic pleasure and our experience of music pleasure as a mode of attention
- A resolution of the conflicting positions
- The analysis of pleasure and music's expression of emotion
- The indispensability of the notion of intentinal feeling
- Reason-following desire, and taking pleasure in what has objective value
- Chapter 7: The nature of emotion
- The relation between the affective and the intentional components of emotion
- The nature of emotion and music's expression of emotion
- Chapter 8: Music's expression of emotion
- Emotions in musical and in non-musical contexts
- Hanslick Again
- Are there any emotions that music cannot express?
- Some remaining difficulties
- Chapter 9: Retrospect.