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|a Chen, Xiaomei,
|d 1954-
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|a Acting the right part :
|b political theater and popular drama in contemporary China /
|c Xiaomei Chen.
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|a Political theater and popular drama in contemporary China
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|a Honolulu :
|b University of Hawai'i Press,
|c ©2002.
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|a 1 online resource (xi, 466 pages) :
|b illustrations (some color)
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|a text
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|b PDF
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|a Includes bibliographical references (pages 409-437) and index.
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|a Introduction: why not modern Chinese drama? -- Operatic revolutions: tradition, memory, and women in model theater -- Family, village, nation/state, and the third world: the imagined communities in model theater -- Audience, applause and actor: border crossing in social problem plays -- Performing Tiananmen: from street theater to theater of the street -- A stage of their own: feminism, countervoices, and the problematics of women's theater -- From discontented mother to woman warrior: body politics in post-Maoist theater -- A stage in search of a tradition: the dynamics of form and content in post Maoist theater -- A selected list of plays in English translation.
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|f Restrictions unspecified
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|a Electronic reproduction.
|b [Place of publication not identified] :
|c HathiTrust Digital Library,
|d 2010.
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|a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
|u http://purl.oclc.org/DLF/benchrepro0212
|5 MiAaHDL
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|a digitized
|c 2010
|h HathiTrust Digital Library
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|a Print version record.
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|a Acting the Right Part is a cultural history of huaju (modern Chinese drama) from 1966 to 1996. Xiaomei Chen situates her study both in the context of Chinese literary and cultural history and in the context of comparative drama and theater, cultural studies, and critical issues relevant to national theater worldwide. Following a discussion of the marginality of modern Chinese drama in relation to other genres, periods, and cultures, early chapters focus on the dynamic relationship between theater and revolution. Chosen during the Cultural Revolution as the exclusive artistic vehicle to promote proletariat art, "model theater" raises important questions about the complex relationships between women, memory, nation/state, revolution, and visual culture. Throughout this study, Chen argues that dramatic norms inform both theatrical performance and everyday political behavior in contemporary China.
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|a In English.
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a Chinese drama
|y 20th century
|x History and criticism.
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|a Théâtre chinois
|y 20e siècle
|x Histoire et critique.
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|a PERFORMING ARTS
|x Theater
|x General.
|2 bisacsh
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|a Chinese drama.
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|0 (OCoLC)fst00857335
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|a 1900-1999
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|a Criticism, interpretation, etc.
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|0 (OCoLC)fst01411635
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|i Print version:
|a Chen, Xiaomei, 1954-
|t Acting the right part.
|d Honolulu : University of Hawai'i Press, ©2002
|w (DLC) 2001037790
|w (OCoLC)47208481
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctvvn2fq
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