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|a OCLCE
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|a 1080549292
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|a 9781501729539
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|z (OCoLC)1228847980
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|b P69 2002
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|a UAMI
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|a Prats, A. J.,
|d 1948-
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|a Invisible natives :
|b myth and identity in the American western /
|c Armando José Prats.
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|a Ithaca, N.Y. :
|b Cornell University Press,
|c ©2002.
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|a 1 online resource (xxi, 317 pages) :
|b illustrations
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
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|a Includes bibliographical references (pages 297-306) and index.
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|a "By all the truth of signs": the Indian in synecdoche -- Prospects from the spaces of the same: the Indian, the land, and the "civilized eye" -- "When the Apaches speak": revisionism's discursive dominance -- "Chartered in two worlds": the double other -- "Not enemies, not friends": racio-cultural ambivalence and mythology's ahistorical imperatives.
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|3 Use copy
|f Restrictions unspecified
|2 star
|5 MiAaHDL
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|a Electronic reproduction.
|b [Place of publication not identified] :
|c HathiTrust Digital Library,
|d 2010.
|5 MiAaHDL
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|a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
|u http://purl.oclc.org/DLF/benchrepro0212
|5 MiAaHDL
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|a digitized
|c 2010
|h HathiTrust Digital Library
|l committed to preserve
|2 pda
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|a Print version record.
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|a This incisive, provocative, and wide-ranging book casts a critical eye on the representation of Native Americans in the Western film since the genre's beginnings. Armando José Prats shows the ways in which film reflects cultural transformations in the course of America's historical encounter with "the Indian." He also explores the relation between the myth of conquest and American history. Among the films he discusses at length are Northwest Passage, Stagecoach, The Searchers, Hombre, Hondo, Ulzana's Raid, The Last of the Mohicans, and Dances With Wolves. Throughout, Prats emphasizes the irony that the Western seems to be able to represent Native Americans only by rendering them absent. In addition, he points out that Native Americans who appear in Westerns are almost always male; Native women rarely figure into the plot, and are often portrayed by white women rendered "Indian" by narrative necessity. Invisible Natives offers an intriguing view of the possibilities and consequences-as well as the historical sources and cultural origins-of the Western's strategies for evading the actual portrayal of Native Americans
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a Indians in motion pictures.
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|a Western films
|x History and criticism.
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|a Peuples autochtones au cinéma.
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|a Westerns
|x Histoire et critique.
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|a SOCIAL SCIENCE
|x Ethnic Studies
|x Native American Studies.
|2 bisacsh
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|a Indians in motion pictures
|2 fast
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|a Western films
|2 fast
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|a Indianer
|g Motiv
|2 gnd
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|a Western
|g Film
|2 gnd
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|a Westernliteratur
|2 gnd
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|a USA
|2 gnd
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|a Wild-westfilms.
|2 gtt
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|a Indianen.
|2 gtt
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|a Identiteit.
|2 gtt
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|a Mythevorming.
|2 gtt
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|a Indianer <Motiv>
|2 swd
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|a Criticism, interpretation, etc.
|2 fast
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|a Western films
|x History and criticism.
|2 gsafd
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0 |
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|i Print version:
|a Prats, A.J., 1948-
|t Invisible natives.
|d Ithaca, N.Y. : Cornell University Press, ©2002
|w (DLC) 2001006863
|w (OCoLC)48435322
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856 |
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|u https://jstor.uam.elogim.com/stable/10.7591/j.ctv3mt9wm
|z Texto completo
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|a Askews and Holts Library Services
|b ASKH
|n AH35288759
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|a Internet Archive
|b INAR
|n invisiblenatives0000prat
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|a Project MUSE
|b MUSE
|n muse69747
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|a YBP Library Services
|b YANK
|n 15607097
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