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Existential semiotics /
"Existential semiotics posits an a priori state of signs; it studies the ways in which signs are fixated into objective entities. Tarasti's work is hermeneutic and phenomenological, with its sources in Husserl, Schutz, Merleau-Ponty, Hegel, Schelling, Kierkegaard, Jaspers, and Heidegger. A...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Bloomington :
Indiana University Press,
©2000.
|
| Colección: | Advances in semiotics.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Tarasti, Eero. | |
| 245 | 1 | 0 | |a Existential semiotics / |c Eero Tarasti. |
| 260 | |a Bloomington : |b Indiana University Press, |c ©2000. | ||
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| 490 | 1 | |a Advances in semiotics | |
| 504 | |a Includes bibliographical references and index. | ||
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| 533 | |a Electronic reproduction. |b [Place of publication not identified] : |c HathiTrust Digital Library, |d 2010. |5 MiAaHDL | ||
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| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Title Page; Copyright Page; Table of Contents; PREFACE; PART ONE Philosophical Reflections; 1 On the Paths of Existential Semiotics; 2 Signs and Transcendence; 3 Endo-/Exogenic Signs, Fields, and Worlds; 4 Understanding, Misunderstanding, and Self-Understanding; 5 Signs of Anxiety; or, The Problem of the Semiotic Subject; PART TWO In the Forest of Symbols; 6 From Aesthetics to Ethics SEMIOTIC OBSERVATIONS ON THE MORAL ASPECTS OF ARTS, ESPECIALLY MUSIC; 7 The ""Structural"" and ""Existential"" Styles in Twentieth-Century Arts; 8 On the Authenticity and Inauthenticity of Art. | |
| 505 | 8 | |a PART THREE The Social and Cultural Field of Signs9 On Post-colonial Semiosis; 10 Semiotics of Landscapes; 11 Poetics of Place (Particularly in Music); 12 Walt Disney and Americanness AN EXISTENTIAL-SEMIOTICAL EXERCISE; 13 "" . . and you find the right one"" A NARRATOLOGICAL ANALYSIS OF AN ADVERTISING FILM; 14 Senses, Values-and Media; INDEX. | |
| 520 | 1 | |a "Existential semiotics posits an a priori state of signs; it studies the ways in which signs are fixated into objective entities. Tarasti's work is hermeneutic and phenomenological, with its sources in Husserl, Schutz, Merleau-Ponty, Hegel, Schelling, Kierkegaard, Jaspers, and Heidegger. As a member of the Paris School of Semiotics (and following the lead of A.J. Greimas, in particular). Tarasti is seeking less-categorical, less-Cartesian approaches. He sees semiotics in transition, shift, rupture, and flux, something which is "becoming" rather than "being." | |
| 520 | 8 | |a His theoretical ideas are illustrated with examples from high culture - painting, music, and literature - as well as from contemporary media and popular culture, including landscapes, gastronomy, novels, Walt Disney films, and post-colonial practices. Signs are examined in their interdisciplinary as well as their intertextual connections in this thoughtful collection of essays."--Jacket | |
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| 650 | 7 | |a Semiotics |x Philosophy |2 fast | |
| 650 | 7 | |a Ästhetik |2 gnd | |
| 650 | 7 | |a Kultursemiotik |2 gnd | |
| 650 | 7 | |a Semiotik |2 gnd | |
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