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100411s2001 txua o 001 0 eng d |
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|z 00064846
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|a OCLCE
|b eng
|e pn
|c OCLCE
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|d OCLCQ
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|d JSTOR
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|d OCLCQ
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|a 301259548
|a 1229573673
|a 1229595257
|a 1285652940
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|a 9780292749405
|q (electronic bk.)
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|a 0292749406
|q (electronic bk.)
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|z 0292752466
|q (alk. paper)
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|z 9780292752467
|q (alk. paper)
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|z 0292752474
|q (pbk. ;
|q alk. paper)
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|z 9780292752474
|q (pbk. ;
|q alk. paper)
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|a AU@
|b 000071498324
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|a (OCoLC)606529437
|z (OCoLC)301259548
|z (OCoLC)1229573673
|z (OCoLC)1229595257
|z (OCoLC)1285652940
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|a 273B20FA-509F-4643-BB48-130B851532BF
|b OverDrive, Inc.
|n http://www.overdrive.com
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|a 22573/ctv2dmrpc4
|b JSTOR
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|a dlr
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|a PN2068
|b .M59 2001
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|a PER
|x 011000
|2 bisacsh
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|a PER
|x 004010
|2 bisacsh
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|a PER
|x 011040
|2 bisacsh
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|a 792/.027
|2 21
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|a UAMI
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|a Morawetz, Thomas,
|d 1942-
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|a Making faces, playing God :
|b identity and the art of transformational makeup /
|c Thomas Morawetz.
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|a Austin :
|b University of Texas Press,
|c ©2001.
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|a 1 online resource (xii, 234 pages) :
|b illustrations (some color)
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Includes index.
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|a Part I: The culture and art of transformation -- The significance and invention of faces -- The culture of transformation -- The art of transformation -- Part II: The practice of transformation -- The demonic -- Aliens -- Disguise for its own sake -- Variant selves -- Impersonation -- Beyond human.
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|3 Use copy
|f Restrictions unspecified
|2 star
|5 MiAaHDL
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|a Electronic reproduction.
|b [Place of publication not identified] :
|c HathiTrust Digital Library,
|d 2010.
|5 MiAaHDL
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|a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
|u http://purl.oclc.org/DLF/benchrepro0212
|5 MiAaHDL
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583 |
1 |
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|a digitized
|c 2010
|h HathiTrust Digital Library
|l committed to preserve
|2 pda
|5 MiAaHDL
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|a Print version record.
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a Theatrical makeup.
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|a Impersonation.
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|a Self-perception.
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|a Self Concept
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|a Maquillage (Théâtre)
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|a Imitation.
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|a Perception de soi.
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|a PERFORMING ARTS
|x Theater
|x General.
|2 bisacsh
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|a PERFORMING ARTS / Film & Video / Direction & Production
|2 bisacsh
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|a Impersonation.
|2 fast
|0 (OCoLC)fst00968149
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|a Self-perception.
|2 fast
|0 (OCoLC)fst01111797
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650 |
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|a Theatrical makeup.
|2 fast
|0 (OCoLC)fst01149420
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650 |
1 |
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|a Grimeren.
|2 gtt
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0 |
8 |
|i Print version:
|a Morawetz, Thomas, 1942-
|t Making faces, playing God.
|d Austin : University of Texas Press, ©2001
|w (DLC) 00064846
|w (OCoLC)44905156
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830 |
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|a Online Access with DDA: YBP Pick and Choose.
|
856 |
4 |
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|u https://jstor.uam.elogim.com/stable/10.7560/752467
|z Texto completo
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938 |
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|a EBSCOhost
|b EBSC
|n 1479115
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938 |
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|a YBP Library Services
|b YANK
|n 13528013
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|a Internet Archive
|b INAR
|n makingfacesplayi0000mora
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994 |
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|a 92
|b IZTAP
|