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Poetry and painting in Song China : the subtle art of dissent /

"By examing literary archetypes, the titles of paintings, contemporary inscriptions, and the historical context, Alfreda Murck shows that certain paintings expressed strong political opinions. The message in some of these paintings was relatively transparent; in others the message was so delibe...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Murck, Alfreda (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Cambridge, Mass. : Harvard University Asia Center for the Harvard-Yenching Institute, 2000.
Colección:Harvard-Yenching Institute monograph series.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Poetry and painting in Song China :  |b the subtle art of dissent /  |c Alfreda Murck. 
246 3 0 |a Subtle art of dissent 
260 |a Cambridge, Mass. :  |b Harvard University Asia Center for the Harvard-Yenching Institute,  |c 2000. 
300 |a 1 online resource (xxi, 406 pages) :  |b illustrations, maps 
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588 0 |a Print version record. 
505 0 0 |g 1.  |t A Millennium of XiaoXiang Laments --  |g 2.  |t A Defining Moment: Shenzong's Reign (1067-85) --  |g 3.  |t Infusing Painting with Poetry --  |g 4.  |t Exile, Return, and Dissonance --  |g 5.  |t Confronting Melancholy: Evening, Night, and Autumn --  |g 6.  |t Su Shi and Wang Shen: Misty River, Layered Peaks --  |g 7.  |t Huang Tingjian's Laments --  |g 8.  |t Proclaiming Harmony: The Court's Visual Rhetoric --  |g 9.  |t Wang Hong's Eight Views of XiaoXiang --  |g 10.  |t New Uses of the Past --  |g App. A.  |t Du Fu Texts and Translations --  |g App. B.  |t Su Shi's and Wang Shen's Matching of Du Fu's Rhymes --  |g App. C.  |t Huang Tingjian's Matching of Du Fu's Rhymes --  |g App. D.  |t Eight Views of XiaoXiang Poetry by Buddhist Monks. 
520 |a "By examing literary archetypes, the titles of paintings, contemporary inscriptions, and the historical context, Alfreda Murck shows that certain paintings expressed strong political opinions. The message in some of these paintings was relatively transparent; in others the message was so deliberately concealed that only those with wide-ranging knowledge of literature, particularly poetry and its modes of conveying dissent and criticism, would have been able to decode it. Beyond alluding to poetry in painting, some scholars emulated the conventions of verse in structuring their paintings, further strengthening the bond between text and image. Murck argues that the coding of messages in seemingly innocuous paintings was an important factor in the growing respect for painting among the educated elite and that the capacity of painting's systems of reference to allow scholars to express dissent with impunity contributed to the art's vitality and longevity."--Back cover 
590 |a JSTOR  |b Books at JSTOR Demand Driven Acquisitions (DDA) 
590 |a JSTOR  |b Books at JSTOR All Purchased 
650 0 |a Painting, Chinese  |y Song-Yuan dynasties, 960-1368. 
650 0 |a Chinese poetry  |y Song dynasty, 960-1368  |x History and criticism. 
650 0 |a Art and literature  |z China. 
650 6 |a Peinture chinoise  |y 960-1368 (Dynasties des Song et des Yuan) 
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776 0 8 |i Print version:  |a Murck, Alfreda.  |t Poetry and painting in Song China.  |d Cambridge, Mass. : Harvard University Asia Center for the Harvard-Yenching Institute, 2000  |w (DLC) 99044492  |w (OCoLC)42289851 
830 0 |a Harvard-Yenching Institute monograph series. 
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