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Subject without nation : Robert Musil and the history of modern identity /
This innovative study of the works of Robert Musil opens a new window on the history of modern identity in western culture. Stefan Jonsson argues that Musil's Austria was the first postimperial state in modern Europe. Prior to its destruction in 1918, the Austro-Hungarian Empire had ruled over...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Durham, NC :
Duke University Press,
2000.
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| Colección: | Post-contemporary interventions.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Jonsson, Stefan, |d 1961- |e author. | |
| 245 | 1 | 0 | |a Subject without nation : |b Robert Musil and the history of modern identity / |c Stefan Jonsson. |
| 260 | |a Durham, NC : |b Duke University Press, |c 2000. | ||
| 300 | |a 1 online resource (xiv, 376 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Post-contemporary interventions | |
| 504 | |a Includes bibliographical references (pages 337-363) and index. | ||
| 505 | 0 | 0 | |g 1. |t Expressivity. |g Ch. 1. |t Topographies of Inwardness: The Expressivist Paradigm of Subjectivity. |g Ch. 2. |t The Architecture of Modern Identity: Subjectivity and Urban Space. |g Ch. 3. |t A Story with Many Ends: Narratological Observations -- |g 2. |t Negativity. |g Ch. 4. |t Subjectivity Degree Zero: Toward a Theory of the Musilian Subject. |g Ch. 5. |t Monsters in Love, Angels at War: The Madness of Central-European Modernity. |g Ch. 6. |t The Most Progressive State: Empire, Nation, and Culture. |
| 506 | |3 Use copy |f Restrictions unspecified |2 star |5 MiAaHDL | ||
| 533 | |a Electronic reproduction. |b [Place of publication not identified] : |c HathiTrust Digital Library, |d 2010. |5 MiAaHDL | ||
| 538 | |a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |u http://purl.oclc.org/DLF/benchrepro0212 |5 MiAaHDL | ||
| 583 | 1 | |a digitized |c 2010 |h HathiTrust Digital Library |l committed to preserve |2 pda |5 MiAaHDL | |
| 588 | 0 | |a Print version record. | |
| 520 | |a This innovative study of the works of Robert Musil opens a new window on the history of modern identity in western culture. Stefan Jonsson argues that Musil's Austria was the first postimperial state in modern Europe. Prior to its destruction in 1918, the Austro-Hungarian Empire had ruled over a vast array of nationalities and, in the course of its demise as well as after, Austria was beset by nationalism, racism, and other forms of identity politics that ultimately led to the triumph of Nazism. It was to this society that Musil responded in his great work The Man Without Qualities. Exploring the nooks and crannies of this modernist classic, Jonsson shows that Musil's narrative evolves along two axes that must be considered in tandem: Whereas the central plot portrays a Viennese elite that in 1913 attempts to restore social cohesion by gathering popular support for the cultural essence of the empire, the protagonist discovers that he lacks essence altogether and finds himself attracted by monsters, criminals, and revolutionary figures that reject the social order. In this way, Musil's novel traces the disappearance of what Jonsson calls the expressivist paradigm--the conviction that identities such as gender, nationality, class, and social character are expressions of permanent intrinsic dispositions. This, Jonsson argues, is Musil's great legacy. For not only did the Austrian author seek to liquidate prevailing conceptions of personal and cultural identity; he also projected "a new human being," one who would resist assimilation into imperialist, nationalist, or fascist communities. Subject Without Nation presents a new interpretation of Viennese modernity and uncovers the historical foundations of poststructural and postcolonial reconceptualizations of human subjectivity. Illuminating links between Musil's oeuvre as a whole and post-war developments in critical thought, this book locates an important crossroads between literary criticism, intellectual history, and cultural theory. | ||
| 546 | |a English. | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 600 | 1 | 0 | |a Musil, Robert, |d 1880-1942. |t Mann ohne Eigenschaften. |
| 600 | 1 | 6 | |a Musil, Robert, |d 1880-1942. |t Mann ohne Eigenschaften. |
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| 650 | 0 | |a Identity (Psychology) in literature. | |
| 650 | 6 | |a Identité (Psychologie) dans la littérature. | |
| 650 | 7 | |a LITERARY CRITICISM |x European |x German. |2 bisacsh | |
| 650 | 7 | |a LITERARY CRITICISM / European / General |2 bisacsh | |
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| 650 | 1 | 7 | |a Identiteit. |2 gtt |
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| 830 | 0 | |a Post-contemporary interventions. | |
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