|
|
|
|
LEADER |
00000cam a2200000 a 4500 |
001 |
JSTOR_ocn606477108 |
003 |
OCoLC |
005 |
20231005004200.0 |
006 |
m o d |
007 |
cr bn||||||abp |
007 |
cr bn||||||ada |
008 |
100411s2001 nyua ob 001 0 eng d |
010 |
|
|
|z 00009873
|
040 |
|
|
|a OCLCE
|b eng
|e pn
|c OCLCE
|d OCLCQ
|d OCLCO
|d OCLCF
|d OCLCQ
|d JSTOR
|d YDX
|d LVT
|d P@U
|d OCLCQ
|d UKAHL
|d UX1
|d OCLCQ
|d VLY
|d MM9
|d RDF
|d OCLCQ
|d OCLCO
|d OCLCQ
|d OCLCO
|d INARC
|d OCLCO
|d OCLCQ
|d OCLCO
|
019 |
|
|
|a 1080549386
|a 1100947565
|a 1144503569
|a 1151991574
|a 1162583453
|a 1196229731
|a 1228846508
|a 1285754503
|
020 |
|
|
|a 9781501729034
|q (electronic bk.)
|
020 |
|
|
|a 1501729039
|q (electronic bk.)
|
020 |
|
|
|z 0801438012
|q (cloth ;
|q acid-free paper)
|
020 |
|
|
|z 9780801438011
|q (cloth ;
|q acid-free paper)
|
020 |
|
|
|z 0801486750
|q (pbk. ;
|q acid-free paper)
|
020 |
|
|
|z 9780801486753
|q (pbk. ;
|q acid-free paper)
|
029 |
1 |
|
|a GBVCP
|b 1048977064
|
035 |
|
|
|a (OCoLC)606477108
|z (OCoLC)1080549386
|z (OCoLC)1100947565
|z (OCoLC)1144503569
|z (OCoLC)1151991574
|z (OCoLC)1162583453
|z (OCoLC)1196229731
|z (OCoLC)1228846508
|z (OCoLC)1285754503
|
037 |
|
|
|a 22573/ctv3pg1fc
|b JSTOR
|
042 |
|
|
|a dlr
|
050 |
|
4 |
|a N380
|b .M679 2001
|
072 |
|
7 |
|a ART
|x 015000
|2 bisacsh
|
072 |
|
7 |
|a PHI
|x 001000
|2 bisacsh
|
072 |
|
7 |
|a ART
|x 009000
|2 bisacsh
|
082 |
0 |
4 |
|a 700/.7/22
|2 21
|
084 |
|
|
|a 20.02
|2 bcl
|
084 |
|
|
|a LH 62000
|2 rvk
|
049 |
|
|
|a UAMI
|
100 |
1 |
|
|a Moxey, Keith P. F.,
|d 1943-
|
245 |
1 |
4 |
|a The practice of persuasion :
|b paradox and power in art history /
|c Keith Moxey.
|
260 |
|
|
|a Ithaca :
|b Cornell University Press,
|c 2001.
|
300 |
|
|
|a 1 online resource (xii, 146 pages) :
|b illustrations
|
336 |
|
|
|a text
|b txt
|2 rdacontent
|
337 |
|
|
|a computer
|b c
|2 rdamedia
|
338 |
|
|
|a online resource
|b cr
|2 rdacarrier
|
504 |
|
|
|a Includes bibliographical references and index.
|
506 |
|
|
|3 Use copy
|f Restrictions unspecified
|2 star
|5 MiAaHDL
|
533 |
|
|
|a Electronic reproduction.
|b [Place of publication not identified] :
|c HathiTrust Digital Library,
|d 2010.
|5 MiAaHDL
|
538 |
|
|
|a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
|u http://purl.oclc.org/DLF/benchrepro0212
|5 MiAaHDL
|
583 |
1 |
|
|a digitized
|c 2010
|h HathiTrust Digital Library
|l committed to preserve
|2 pda
|5 MiAaHDL
|
588 |
0 |
|
|a Print version record.
|
505 |
0 |
0 |
|t Introduction: The Politics of Persuasion --
|g Ch. 1.
|t Art History's Hegelian Unconscious: Naturalism as Nationalism in the Study of Early Netherlandish Painting --
|g Ch. 2.
|t History, Fiction, Memory: Riemenschneider and the Dangers of Persuasion --
|g Ch. 3.
|t Motivating History --
|g Ch. 4.
|t Perspective, Panofsky, and the Philosophy of History --
|g Ch. 5.
|t Nostalgia for the Real: The Troubled Relation of Art History to Visual Studies --
|g Ch. 6.
|t After the Death of the "Death of the Author."
|
520 |
|
|
|a This sequel to The Practice of Theory stresses the continued need for self-reflective awareness in art historical writing. Offering a series of meditations on the discipline of art history in the context of contemporary critical theory, Moxey addresses such central issues as the status of the canon, the nature of aesthetic value, and the character of historical knowledge. The chapters are linked by a common interest in, even fascination with, the paradoxical power of narrative and the identity of the authorial voice. Moxey maintains that art history is a rhetoric of persuasion rather than a discourse of truth. Each chapter in The Practice of Persuasion attempts to demonstrate the paradoxes inherent in a genre that-while committed to representing the past-must inevitably bear the imprint of the present. In Moxey's view, art history as a discipline is often unable to recognize its status as a regime of truth that produces historically determined meanings and so continues to act as if based on a universal aesthetic foundation. His new book should enable art historians to engage with the past in a manner less determined by tradition and more responsive to contemporary values and aspirations.
|
590 |
|
|
|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
|
590 |
|
|
|a JSTOR
|b Books at JSTOR All Purchased
|
590 |
|
|
|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
|
650 |
|
0 |
|a Art
|x Historiography.
|
650 |
|
0 |
|a Art criticism
|x Methodology.
|
650 |
|
6 |
|a Art
|x Historiographie.
|
650 |
|
6 |
|a Critique d'art
|x Méthodologie.
|
650 |
|
7 |
|a ART
|x History
|x General.
|2 bisacsh
|
650 |
|
7 |
|a Art criticism
|x Methodology
|2 fast
|
650 |
|
7 |
|a Art
|x Historiography
|2 fast
|
650 |
|
7 |
|a Kunstgeschichtsschreibung
|2 gnd
|
650 |
|
7 |
|a Kunstwissenschaft
|2 gnd
|
650 |
|
7 |
|a Methode
|2 gnd
|
650 |
1 |
7 |
|a Kunstgeschiedenis (wetenschap)
|2 gtt
|
650 |
1 |
7 |
|a Filosofische aspecten.
|2 gtt
|
650 |
|
7 |
|a Art
|x Historiography.
|2 nli
|
650 |
|
7 |
|a Art criticism
|x Methodology.
|2 nli
|
776 |
0 |
8 |
|i Print version:
|a Moxey, Keith P.F., 1943-
|t Practice of persuasion.
|d Ithaca : Cornell University Press, 2001
|w (DLC) 00009873
|w (OCoLC)44267875
|
856 |
4 |
0 |
|u https://jstor.uam.elogim.com/stable/10.7591/j.ctv3s8mnj
|z Texto completo
|
938 |
|
|
|a Askews and Holts Library Services
|b ASKH
|n AH35195258
|
938 |
|
|
|a Project MUSE
|b MUSE
|n muse69721
|
938 |
|
|
|a YBP Library Services
|b YANK
|n 15611566
|
938 |
|
|
|a Internet Archive
|b INAR
|n practiceofpersua0000moxe
|
994 |
|
|
|a 92
|b IZTAP
|