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|a UAMI
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|a Renaissance transactions :
|b Ariosto and Tasso /
|c edited by Valeria Finucci.
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|a Durham [N.C.] :
|b Duke University Press,
|c 1999.
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|a 1 online resource ([vii], 328 pages)
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|a text
|b txt
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|a Duke monographs in medieval and Renaissance studies ;
|v 17
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|a Includes bibliographical references (pages 314-315) and index.
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|t Two Odysseys: Rinaldo's Po journey and the Poet's homecoming in Orlando furioso /
|r Ronald L. Martinez --
|t Grafting of virgilian epic in Orlando furioso /
|r Daniel Javitch --
|t Tasso's Armida and the Victory of romance /
|r Jo Ann Cavallo --
|t Epic in the age of dissimulation /
|r Sergio Zatti --
|t Trickster, testor, architect, thief /
|r Walter Stephens --
|t "Un cosi valoroso cavalliero" /
|r Katherine Hoffman --
|t Masquerade of masculinity /
|r Valeria Finucci --
|t Romance as role model /
|r Eric Nicholson --
|t "Dal rogo alle nozze" /
|r Naomi Yavneh --
|t Writing beyond the Querelle /
|r Constance Jordan.
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|3 Use copy
|f Restrictions unspecified
|2 star
|5 MiAaHDL
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|a Electronic reproduction.
|b [Place of publication not identified] :
|c HathiTrust Digital Library,
|d 2010.
|5 MiAaHDL
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|a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
|u http://purl.oclc.org/DLF/benchrepro0212
|5 MiAaHDL
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|a digitized
|c 2010
|h HathiTrust Digital Library
|l committed to preserve
|2 pda
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|a Print version record.
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|a English.
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|a The controversy generated in Italy by the writings of Ludovico Ariosto and Torquato Tasso during the sixteenth century was the first historically important debate on what constitutes modern literature. Applying current critical theories and tools, the essays in Renaissance Transactions reexamine these two provocative poet-thinkers, the debate they inspired, and the reasons why that debate remains relevant today. Resituating these writers' works in the context of the Renaissance while also offering appraisals of their uncanny "postmodernity," the contributors to this volume focus primarily on Ariosto's Orlando furioso and Tasso's Gerusalemme liberata. Essays center on questions of national and religious identity, performative representation, and the theatricality of literature. They also address subjects regarding genre and gender, social and legal anthropology, and reactionary versus revolutionary writing. Finally, they advance the historically significant debate about what constitutes modern literature by revisiting with new perspective questions first asked centuries ago: Did Ariosto invent a truly national, and uniquely Italian, literary genre--the chivalric romance? Or did Tasso alone, by equaling the epic standards of Homer and Virgil, make it possible for a literature written in Italian to attain the status of its classical Greek and Latin antecedents?Arguing that Ariosto and Tasso are still central to the debate on what constitutes modern narrative, this collection will be invaluable to scholars of Italian literature, literary history, critical theory, and the Renaissance. Contributors. Jo Ann Cavallo, Valeria Finucci, Katherine Hoffman, Daniel Javitch, Constance Jordan, Ronald L. Martinez, Eric Nicholson, Walter Stephens, Naomi Yavneh, Sergio Zatti
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|a JSTOR
|b Books at JSTOR All Purchased
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|a Ariosto, Lodovico,
|d 1474-1533.
|t Orlando furioso.
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1 |
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|a Tasso, Torquato,
|d 1544-1595.
|t Gerusalemme liberata.
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|a Gerusalemme liberata (Tasso, Torquato)
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|a Orlando furioso (Ariosto, Lodovico)
|2 fast
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|a POETRY
|x Continental European.
|2 bisacsh
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|a LITERARY CRITICISM
|x General.
|2 bisacsh
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|a Renaissance.
|2 gtt
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|a Letterkunde.
|2 gtt
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|a Finucci, Valeria,
|e editor.
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|i Print version:
|t Renaissance transactions.
|d Durham [N.C.] : Duke University Press, 1999
|z 0822322757
|w (DLC) 98023344
|w (OCoLC)39157629
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|a Duke monographs in medieval and Renaissance studies ;
|v no. 17.
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctv11g96hf
|z Texto completo
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