Playwrights and plagiarists in early modern England : gender, authorship, literary property /

Passage of the first copyright law in 1710 marked a radical change in the perception of authorship. According to Laura J. Rosenthal, the new construction of the author as the owner of literary property bore different consequences for women than for men, for amateurs than for professionals, and for p...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Rosenthal, Laura J. (Laura Jean), 1960-
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Ithaca, N.Y. : Cornell University Press, ©1996.
Temas:
1600-1799
English drama > Restoration, 1660-1700 > History and criticism.
English drama > Women authors > History and criticism.
English drama > 18th century > History and criticism.
Authorship > Sex differences > History > 17th century.
Authorship > Sex differences > History > 18th century.
Plagiarism > England > History > 17th century.
Plagiarism > England > History > 18th century.
Literature and society > England.
Women and literature > England.
Theater > England.
Intertextuality.
Playwriting.
Théâtre anglais > 1660-1700 (Restauration) > Histoire et critique.
Théâtre anglais > 18e siècle > Histoire et critique.
Art d'écrire > Différences entre sexes > Histoire > 17e siècle.
Art d'écrire > Différences entre sexes > Histoire > 18e siècle.
Plagiat > Angleterre > Histoire > 17e siècle.
Plagiat > Angleterre > Histoire > 18e siècle.
Littérature et société > Angleterre.
Femmes et littérature > Angleterre.
Théâtre > Angleterre.
Intertextualité.
Création dramatique.
LITERARY CRITICISM > European > English, Irish, Scottish, Welsh.
Authorship > Sex differences
English drama
English drama > Restoration
English drama > Women authors
Intertextuality
Literature and society
Plagiarism
Playwriting
Theater
Women and literature
Toneelstukken.
Plagiaat.
Sekserol.
Engels.
England
Criticism, interpretation, etc.
History
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Introduction: Drama and Cultural location.
  • Rewriting distinctions: Property, plagiarism, position.
  • "Authoress of a Whole World": The Duchess of Newcastle and imaginary property.
  • Aphra Behn and the hostility of influence.
  • "Ladies and Fob Authors never are at Odds": Colley Cibber, female wits.
  • Writing (as) the Lady's last stake: Susanna Centlivre.
  • Epilogue.
  • Index.

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