Disappearing acts : spectacles of gender and nationalism in Argentina's "dirty war" /

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In Disappearing Acts Diana Taylor looks at how national identity is shaped, gendered, and contested through spectacle and relationship. The specific identity in question is that of Argentina, and Taylor's focus is directed toward the years 1976 to 1983 in which the Argentine armed forces were p...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Taylor, Diana, 1950- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Durham : Duke University Press, 1997.
Temas:
1900-1999
Theater > Political aspects > Argentina.
Argentine drama > 20th century > History and criticism.
Violence > Argentina > History > 20th century.
Disappeared persons > Argentina.
Théâtre > Aspect politique > Argentine.
Théâtre argentin > 20e siècle > Histoire et critique.
Violence > Argentine > Histoire > 20e siècle.
Personnes disparues > Argentine.
PERFORMING ARTS > Theater > General.
HISTORY > Latin America > South America.
Argentine drama
Disappeared persons
Politics and government
Theater > Political aspects
Violence
Drama
Theater
Dictatuur.
Nationalisme.
Vrouwen.
Beeldvorming.
Politique et littérature > Argentine.
Argentina > Politics and government > 1955-1983.
Argentine > Politique et gouvernement > 1955-1983.
Argentina
Argentinien
Criticism, interpretation, etc.
History
Acceso en línea:Texto completo
Tabla de Contenidos:
  • 1. Caught in the Spectacle
  • 2. Gendering the National "Self"
  • 3. Military Males, "Bad" Women, and a Dirty, Dirty War
  • 4. The Theatre of Operations: Performing Nation-ness in the Public Sphere
  • 5. Percepticide
  • 6. Disappearing Bodies: Writing Torture and Torture as Writing
  • 7. Trapped in Bad Scripts: The Mothers of the Plaza de Mayo
  • 8. Staging Battles of Gender and Nation-ness: Teatro Abierto 1981
  • 9. Crossing the Line: Watching Violence in the "Other" Country.

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