Looking high and low : art and cultural identity /

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Can low riders rightfully be considered art? Why are Chicano murals considered art while graffiti is considered vandalism? What do Native American artisans think about the popular display of their ceremonial objects? How do the "middlebrow" notions of Getty workers influence "highbrow...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: Bright, Brenda Jo, 1955-, Bakewell, Elizabeth
Formato: Documento de Gobierno Electrónico eBook
Idioma:Inglés
Publicado: Tucson, AZ : University of Arizona Press, ©1995.
Temas:
Arts and society > United States.
Popular culture > United States.
Arts et société > États-Unis.
Culture populaire > États-Unis.
SOCIAL SCIENCE / General
Arts and society
Popular culture
Kulturelle Identität
Massenkultur
Kunst
Kunst.
Culturele identiteit.
Volkscultuur.
Mexicaanse Amerikanen.
Pueblo-Indianen.
Zuni (volk)
Arts > Aspect social > États-Unis.
United States
Mexiko
Chicanos.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Introduction. Art hierarchies, cultural boundaries, and reflexive analysis / Brenda Jo Bright
  • Bellas artes and artes populares : the implications of difference in the Mexico City art world / Liza Bakewell
  • Space, power, and youth culture : Mexican American graffiti and Chicano murals in East Los Angeles, 1972-1978 / Marcos Sanchez-Tranquilino
  • Remappings : Los Angeles low riders / Brenda Jo Bright
  • Marketing Maria : the tribal artist in the age of mechanical reproduction / Barbara A. Babcock
  • Aesthetics and politics : Zuni War God repatriation and kachina representation / Barbara Tedlock
  • Middlebrow into highbrow at the J. Paul Getty Trust, Los Angeles / George E. Marcus.

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