The conversational circle : re-reading the English novel, 1740-1775 /
Twentieth-century historians of the early novel, most prominently Ian Watt, Mikhail Bakhtin, and Terry Castle, have canonized fictions that portray the individual in sustained tension with the social environment. Such fictions privilege a strongly linear structure. Recent reexaminations of the canon...
Clasificación: | Libro Electrónico |
---|---|
Autor principal: | |
Formato: | Electrónico eBook |
Idioma: | Inglés |
Publicado: |
Lexington :
University Press of Kentucky,
1996.
|
Temas: | |
Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Introduction: Narrating Sociability in Mid-Eighteenth-Century England
- 1. Consensus, the Conversational Circle, and Mid-Eighteenth-Century Fiction
- 2. Constructing the Circle in Sarah Fielding's David Simple
- 3. Social Authority and the Domestic Circle in Samuel Richardson's Pamela Part II
- 4. Socializing Desire and Radiating the Exemplary in Samuel Richardson's Sir Charles Grandison
- 5. Silencing the Center in Henry Fielding's Amelia
- 6. Authorizing the Marginalized Circle in Sarah Scott's Millenium Hall
- 7. Mobilizing the Community, Immobilizing the Ideal in Tobias Smollett's Humphry Clinker
- 8. Disembodying the Social Circle in Sarah Fielding's Volume the Last
- Conclusion: A Failed Plot? The Fate of the Conversational Circle in English Fiction.