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High contrast : race and gender in contemporary Hollywood film /
In High Contrast, Sharon Willis examines the dynamic relationships between racial and sexual difference in Hollywood film from the 1980s and 1990s. Seizing on the way these differences are accentuated, sensationalized, and eroticized on the screen - most often with little apparent regard for the pol...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Durham, N.C. :
Duke University Press,
1997.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Willis, Sharon, |d 1955- |e author. | |
| 245 | 1 | 0 | |a High contrast : |b race and gender in contemporary Hollywood film / |c Sharon Willis. |
| 260 | |a Durham, N.C. : |b Duke University Press, |c 1997. | ||
| 300 | |a 1 online resource (266 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 504 | |a Includes bibliographical references (pages 217-257) and index. | ||
| 505 | 0 | |a pt. 1. Battles of the sexes. Mutilated masculinities and their prosthesis: Die Hards and Lethal Weapons. Insides out: public and private exchanges from Fatal Attraction to Basic Instinct. Combative femininity: Thelma and Louise and Terminator 2 -- pt. 2. Ethnographies of the "White" gaze. Do the wrong thing: David Lynch's perverse style. Tell th right story: Spike Lee and the politics of representative style. Borrowed "Style": Quentin Tarantino's figures of masculinity. | |
| 506 | |3 Use copy |f Restrictions unspecified |2 star |5 MiAaHDL | ||
| 533 | |a Electronic reproduction. |b [Place of publication not identified] : |c HathiTrust Digital Library, |d 2010. |5 MiAaHDL | ||
| 538 | |a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |u http://purl.oclc.org/DLF/benchrepro0212 |5 MiAaHDL | ||
| 583 | 1 | |a digitized |c 2010 |h HathiTrust Digital Library |l committed to preserve |2 pda |5 MiAaHDL | |
| 588 | 0 | |a Print version record. | |
| 520 | |a In High Contrast, Sharon Willis examines the dynamic relationships between racial and sexual difference in Hollywood film from the 1980s and 1990s. Seizing on the way these differences are accentuated, sensationalized, and eroticized on the screen - most often with little apparent regard for the political context in which they operate - Willis restores that context through close readings of a range of movies from cinematic blockbusters to the work of the new auteurs, Spike Lee, David Lynch, and Quentin Tarantino. | ||
| 546 | |a English. | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 650 | 0 | |a African Americans in motion pictures. | |
| 650 | 0 | |a Sex role in motion pictures. | |
| 650 | 6 | |a Rôle selon le sexe au cinéma. | |
| 650 | 6 | |a Noirs américains au cinéma. | |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS / Film & Video / History & Criticism |2 bisacsh | |
| 650 | 7 | |a African Americans in motion pictures. |2 fast |0 (OCoLC)fst00799733 | |
| 650 | 7 | |a Sex role in motion pictures. |2 fast |0 (OCoLC)fst01114654 | |
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| 650 | 0 | 7 | |a Film. |2 swd |
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| 776 | 0 | 8 | |i Print version: |a Willis, Sharon, 1955- |t High contrast. |d Durham, N.C. : Duke University Press, 1997 |z 0822320290 |w (DLC) 97013147 |w (OCoLC)36696385 |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctv123x6f9 |z Texto completo |
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