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100406s1996 aruc o s000 p eng d |
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|a OCLCE
|b eng
|e pn
|c OCLCE
|d OCLCQ
|d OCLCF
|d OCLCO
|d OCLCQ
|d INARC
|d OCLCQ
|d YDX
|d JSTOR
|d OCLCO
|d OCLCQ
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|a 609402149
|a 1035687222
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|a 9781610751209
|q (electronic bk.)
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|a 1610751205
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|z 1557284091
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|z 9781557284099
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|z 1557284105
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|q alk. paper)
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|z 9781557284105
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|q alk. paper)
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|a AU@
|b 000070513928
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|a (OCoLC)605050815
|z (OCoLC)609402149
|z (OCoLC)1035687222
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|a 22573/ctv27r8c2m
|b JSTOR
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|a dlr
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|a cc-----
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|a PS3562.I43
|b D37 1996
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|a 811/.54
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|a HI.F 3/178-8:D 374/996
|2 ardocs
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|a UAMI
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|a Lieberman, Laurence.
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|a Dark songs :
|b slave house and synagogue : poems /
|c by Laurence Lieberman.
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|a Fayetteville :
|b University of Arkansas Press,
|c 1996.
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|a 1 online resource (135 pages) :
|b portrait
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|a text
|b txt
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|a computer
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|a online resource
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|a Dark Songs: Slave House and Synagogue -- Carib's Leap -- Shirma: Witness from Carriacou -- Brangwen: Witness from Frankfurt -- Sleuths -- Saviour of Assassins -- Names Scrawled on the Priests' Satin Robes -- Life Shock: Witness from the Gallows -- Freedom Spurned -- Epidermal Hell -- Smuggled Pencil Stubs -- Life Shock -- The Ballad of Garfield John -- Cudjoe's Head -- House Walk over the Mountain -- In Fear of the Music Scholar -- White Tiger and the Mosquitoes -- Wharf Angel -- Lifestyles Prince -- I.V. Runaway -- The St. Kitts Monkey Feuds.
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|a Laurence Lieberman writes poems that successfully utilize techniques from every possible form of literature - including histories, travelogues, short stories, and epics. All the while, his lines maintain a deft balance of lyrical intensity, clear, methodical description, and the pure dialect of the characters living his poetry. In Dark Songs: Slave House and Synagogue, Lieberman creates a narrative mosaic of the eastern Caribbean islands, ranging from St. Eustatius in the eighteenth century to the island of Grenada after the United States-led invasion in 1983. When he writes of African slaves, British governors, Dutch Jews, island guerillas, fallen Swiss nobility, and piratelike charter captains, the wealth of his details, the force, and often the truth behind his stories allow us to witness the whole human saga of the Caribbean.
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|3 Use copy
|f Restrictions unspecified
|2 star
|5 MiAaHDL
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|a Electronic reproduction.
|b [Place of publication not identified] :
|c HathiTrust Digital Library,
|d 2010.
|5 MiAaHDL
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|a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
|u http://purl.oclc.org/DLF/benchrepro0212
|5 MiAaHDL
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|a digitized
|c 2010
|h HathiTrust Digital Library
|l committed to preserve
|2 pda
|5 MiAaHDL
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|a Print version record.
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a Caribbean Area
|v Poetry.
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|a Caraïbes (Région)
|v Poésie.
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|a Caribbean Area
|2 fast
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|a Poetry
|2 fast
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|i Print version:
|a Lieberman, Laurence.
|t Dark songs.
|d Fayetteville : University of Arkansas Press, 1996
|w (DLC) 95049128
|w (OCoLC)33664420
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856 |
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctv27tct3k
|z Texto completo
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|a YBP Library Services
|b YANK
|n 302678603
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|a Internet Archive
|b INAR
|n isbn_9781557284099
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|a 92
|b IZTAP
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