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Fatal autonomy : Romantic drama and the rhetoric of agency /

Describing an enduring moral puzzle and explaining how it helped shape a key moment in the history of poetic drama, Fatal Autonomy represents Romanticism as a reckoning with the costs of individual agency. No moral calculus can ever fully determine the relation of events to an individual's acti...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Jewett, William
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Ithaca, N.Y. : Cornell University Press, 1997.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Jewett, William. 
245 1 0 |a Fatal autonomy :  |b Romantic drama and the rhetoric of agency /  |c William Jewett. 
260 |a Ithaca, N.Y. :  |b Cornell University Press,  |c 1997. 
300 |a 1 online resource (xiv, 262 pages) 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
504 |a Includes bibliographical references and index. 
520 |a Describing an enduring moral puzzle and explaining how it helped shape a key moment in the history of poetic drama, Fatal Autonomy represents Romanticism as a reckoning with the costs of individual agency. No moral calculus can ever fully determine the relation of events to an individual's actions and failures to act, William Jewett argues; that is why the stubborn belief in such a relationship gives rise to tragedy. Jewett maintains that tragic drama forces its readers and viewers to confront the ways in which the use of language grants agency. The Romantic poets saw a moral challenge in that confrontation and followed its generic implications toward a new kind of poetry. Fatal Autonomy thus looks to Romantic drama to explain how Romantic poetry came to hold a permanent grip on conceptions of moral life. Tracing the source of major strains in British Romanticism to a politically charged body of dramatic poems, Jewett focuses on two historical moments: 1794-97, which he describes as the political turning point in the careers of William Wordsworth and Samuel Taylor Coleridge, and 1819-22, the years in which he believes Percy Bysshe Shelley and Lord Byron wrote their best poetry. 
506 |3 Use copy  |f Restrictions unspecified  |2 star  |5 MiAaHDL 
533 |a Electronic reproduction.  |b [Place of publication not identified] :  |c HathiTrust Digital Library,  |d 2010.  |5 MiAaHDL 
538 |a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.  |u http://purl.oclc.org/DLF/benchrepro0212  |5 MiAaHDL 
583 1 |a digitized  |c 2010  |h HathiTrust Digital Library  |l committed to preserve  |2 pda  |5 MiAaHDL 
588 0 |a Print version record. 
505 0 0 |g pt. 1.  |t Tragic Agents and the Origins of Romanticism, 1794-1797.  |g 1.  |t The Sublime Machine of History: The Fall of Robespierre and Wat Tyler.  |g 2.  |t The Claim of Compulsion: The Borderers.  |g 3.  |t Fancy and the Spell of Enlightenment: Osorio --  |g pt. 2.  |t Shelley, Byron, and the Body Politic, 1819-1822.  |g 4.  |t Performing Skepticism: The Cenci.  |g 5.  |t Fatal Autonomy: Marino Faliero.  |g 6.  |t History's Lethean Song: Charles the First and The Triumph of Life. 
590 |a JSTOR  |b Books at JSTOR Evidence Based Acquisitions 
590 |a JSTOR  |b Books at JSTOR All Purchased 
590 |a JSTOR  |b Books at JSTOR Demand Driven Acquisitions (DDA) 
650 0 |a English drama  |y 19th century  |x History and criticism. 
650 0 |a Verse drama, English  |x History and criticism. 
650 0 |a Political plays, English  |x History and criticism. 
650 0 |a English drama (Tragedy)  |x History and criticism. 
650 0 |a Autonomy (Psychology) in literature. 
650 0 |a Agent (Philosophy) in literature. 
650 0 |a Moral conditions in literature. 
650 0 |a Romanticism  |z Great Britain. 
650 0 |a Self in literature. 
650 6 |a Théâtre anglais  |y 19e siècle  |x Histoire et critique. 
650 6 |a Théâtre en vers anglais  |x Histoire et critique. 
650 6 |a Théâtre politique anglais  |x Histoire et critique. 
650 6 |a Tragédie anglaise  |x Histoire et critique. 
650 6 |a Autonomie (Psychologie) dans la littérature. 
650 6 |a Agent (Philosophie) dans la littérature. 
650 6 |a Conditions morales dans la littérature. 
650 6 |a Romantisme  |z Grande-Bretagne. 
650 6 |a Moi (Psychologie) dans la littérature. 
650 7 |a DRAMA  |x General.  |2 bisacsh 
650 7 |a Agent (Philosophy) in literature.  |2 fast  |0 (OCoLC)fst00800206 
650 7 |a Autonomy (Psychology) in literature.  |2 fast  |0 (OCoLC)fst00824180 
650 7 |a English drama.  |2 fast  |0 (OCoLC)fst00910737 
650 7 |a English drama (Tragedy)  |2 fast  |0 (OCoLC)fst00910801 
650 7 |a Moral conditions in literature.  |2 fast  |0 (OCoLC)fst01026045 
650 7 |a Political plays, English.  |2 fast  |0 (OCoLC)fst01069494 
650 7 |a Romanticism.  |2 fast  |0 (OCoLC)fst01100133 
650 7 |a Self in literature.  |2 fast  |0 (OCoLC)fst01111462 
650 7 |a Verse drama, English.  |2 fast  |0 (OCoLC)fst01165454 
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650 7 |a Drama  |2 gnd 
650 7 |a Englisch  |2 gnd 
650 7 |a Politisches Handeln  |2 gnd 
650 1 7 |a Engels.  |2 gtt 
650 1 7 |a Toneelstukken.  |2 gtt 
650 1 7 |a Politiek.  |2 gtt 
650 1 7 |a Autonomie (algemeen)  |2 gtt 
650 0 7 |a Geschichte 1794-1822.  |2 swd 
651 7 |a Englisch.  |2 swd 
648 7 |a 1800-1899  |2 fast 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
776 0 8 |i Print version:  |a Jewett, William.  |t Fatal autonomy.  |d Ithaca, N.Y. : Cornell University Press, 1997  |w (DLC) 97012337  |w (OCoLC)36630054 
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