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100407s1997 nyu ob 001 0 eng d |
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|a OCLCE
|b eng
|e pn
|c OCLCE
|d OCLCQ
|d OCLCF
|d OCLCO
|d OCLCQ
|d OCL
|d N$T
|d JSTOR
|d UKAHL
|d INARC
|d MM9
|d OCLCQ
|d OCLCO
|d OCLCQ
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|a 301205249
|a 1132367856
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|a 9781501744525
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|a 1501744526
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|z 0801433525
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|z 9780801433528
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|a AU@
|b 000066210724
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|a (OCoLC)605039425
|z (OCoLC)301205249
|z (OCoLC)1132367856
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|a 22573/ctvr6phv5
|b JSTOR
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|a dlr
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|a e-uk---
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|a PR719.V4
|b J49 1997
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|a HL 1261
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|a UAMI
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|a Jewett, William.
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|a Fatal autonomy :
|b Romantic drama and the rhetoric of agency /
|c William Jewett.
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|a Ithaca, N.Y. :
|b Cornell University Press,
|c 1997.
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|a 1 online resource (xiv, 262 pages)
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|a text
|b txt
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|a online resource
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|a Includes bibliographical references and index.
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|a Describing an enduring moral puzzle and explaining how it helped shape a key moment in the history of poetic drama, Fatal Autonomy represents Romanticism as a reckoning with the costs of individual agency. No moral calculus can ever fully determine the relation of events to an individual's actions and failures to act, William Jewett argues; that is why the stubborn belief in such a relationship gives rise to tragedy. Jewett maintains that tragic drama forces its readers and viewers to confront the ways in which the use of language grants agency. The Romantic poets saw a moral challenge in that confrontation and followed its generic implications toward a new kind of poetry. Fatal Autonomy thus looks to Romantic drama to explain how Romantic poetry came to hold a permanent grip on conceptions of moral life. Tracing the source of major strains in British Romanticism to a politically charged body of dramatic poems, Jewett focuses on two historical moments: 1794-97, which he describes as the political turning point in the careers of William Wordsworth and Samuel Taylor Coleridge, and 1819-22, the years in which he believes Percy Bysshe Shelley and Lord Byron wrote their best poetry.
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|3 Use copy
|f Restrictions unspecified
|2 star
|5 MiAaHDL
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|a Electronic reproduction.
|b [Place of publication not identified] :
|c HathiTrust Digital Library,
|d 2010.
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|a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
|u http://purl.oclc.org/DLF/benchrepro0212
|5 MiAaHDL
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|a digitized
|c 2010
|h HathiTrust Digital Library
|l committed to preserve
|2 pda
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|a Print version record.
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|g pt. 1.
|t Tragic Agents and the Origins of Romanticism, 1794-1797.
|g 1.
|t The Sublime Machine of History: The Fall of Robespierre and Wat Tyler.
|g 2.
|t The Claim of Compulsion: The Borderers.
|g 3.
|t Fancy and the Spell of Enlightenment: Osorio --
|g pt. 2.
|t Shelley, Byron, and the Body Politic, 1819-1822.
|g 4.
|t Performing Skepticism: The Cenci.
|g 5.
|t Fatal Autonomy: Marino Faliero.
|g 6.
|t History's Lethean Song: Charles the First and The Triumph of Life.
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a English drama
|y 19th century
|x History and criticism.
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|a Verse drama, English
|x History and criticism.
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|a Political plays, English
|x History and criticism.
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|a English drama (Tragedy)
|x History and criticism.
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|a Autonomy (Psychology) in literature.
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|a Agent (Philosophy) in literature.
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|a Moral conditions in literature.
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|a Romanticism
|z Great Britain.
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|a Self in literature.
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|a Théâtre anglais
|y 19e siècle
|x Histoire et critique.
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|a Théâtre en vers anglais
|x Histoire et critique.
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|a Théâtre politique anglais
|x Histoire et critique.
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|a Tragédie anglaise
|x Histoire et critique.
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|a Autonomie (Psychologie) dans la littérature.
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|a Agent (Philosophie) dans la littérature.
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|a Conditions morales dans la littérature.
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|a Romantisme
|z Grande-Bretagne.
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|a Moi (Psychologie) dans la littérature.
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|a DRAMA
|x General.
|2 bisacsh
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|a Agent (Philosophy) in literature.
|2 fast
|0 (OCoLC)fst00800206
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|a Autonomy (Psychology) in literature.
|2 fast
|0 (OCoLC)fst00824180
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|a English drama.
|2 fast
|0 (OCoLC)fst00910737
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|a English drama (Tragedy)
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|0 (OCoLC)fst00910801
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|a Moral conditions in literature.
|2 fast
|0 (OCoLC)fst01026045
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|a Political plays, English.
|2 fast
|0 (OCoLC)fst01069494
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|a Romanticism.
|2 fast
|0 (OCoLC)fst01100133
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|a Self in literature.
|2 fast
|0 (OCoLC)fst01111462
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|a Verse drama, English.
|2 fast
|0 (OCoLC)fst01165454
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|a Great Britain.
|2 fast
|0 (OCoLC)fst01204623
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|a Drama
|2 gnd
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|a Englisch
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|a Politisches Handeln
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|a Engels.
|2 gtt
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|a Toneelstukken.
|2 gtt
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|a Politiek.
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|a Autonomie (algemeen)
|2 gtt
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|a Geschichte 1794-1822.
|2 swd
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|a Englisch.
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|a 1800-1899
|2 fast
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|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
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|i Print version:
|a Jewett, William.
|t Fatal autonomy.
|d Ithaca, N.Y. : Cornell University Press, 1997
|w (DLC) 97012337
|w (OCoLC)36630054
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|u https://jstor.uam.elogim.com/stable/10.7591/j.ctvr697gq
|z Texto completo
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|a Askews and Holts Library Services
|b ASKH
|n AH36841000
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|a EBSCOhost
|b EBSC
|n 2233532
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|a Internet Archive
|b INAR
|n fatalautonomyrom00jewe_0
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|a 92
|b IZTAP
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