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Desire and fictional narrative in late imperial China /

"Martin Huang argues that the development of traditional Chinese fiction as a narrative genre was closely related to changes in conceptions of desire and that the rise of vernacular fiction during the late Ming has to be studied in the context of the contemporary debate on desire and of the new...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Huang, Martin W., 1960- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Cambridge, Mass. : Harvard University Asia Center : Distributed by Harvard University Press, 2001.
Colección:Harvard East Asian monographs ; 202.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Huang, Martin W.,  |d 1960-  |e author. 
245 1 0 |a Desire and fictional narrative in late imperial China /  |c Martin W. Huang. 
260 |a Cambridge, Mass. :  |b Harvard University Asia Center :  |b Distributed by Harvard University Press,  |c 2001. 
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490 1 |a Harvard East Asian monographs ;  |v 202 
504 |a Includes bibliographical references (pages 317-340) and index. 
506 |3 Use copy  |f Restrictions unspecified  |2 star  |5 MiAaHDL 
533 |a Electronic reproduction.  |b [Place of publication not identified] :  |c HathiTrust Digital Library,  |d 2010.  |5 MiAaHDL 
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588 0 |a Print version record. 
505 0 |a 1. Desire, Anxiety, and Ambivalence During the Late Ming -- 2. The Debates on Qing in Late Imperial China -- 3. From Yu to Qing: Desire and Fictional Narrative -- 4. The Materiality of Desire and the Beyond in Jin Ping Mei -- 5. Women and Desire to Chipozi zhuan and Dengcao heshang -- 6. Desire and Karmic Retribution in Xingshi yinyuan zhuan -- 7. Qing and Homoerotic Desire in Bian er chai and Lin Lan Xiang -- 8. Qing and the Virtuous Body in Three Scholar-Beauty Romances -- 9. Qing versus Yu: The Polarization of Desire in Yesou puyan and Guwangyan -- 10. Qing and the Reluctance to Grow up in Honglou meng. 
520 1 |a "Martin Huang argues that the development of traditional Chinese fiction as a narrative genre was closely related to changes in conceptions of desire and that the rise of vernacular fiction during the late Ming has to be studied in the context of the contemporary debate on desire and of the new and complex views that emerged from this debate. The maturing of the genre can best be appreciated in teams of the sophistication with which the phenomenon of desire is explored in many works."--Jacket 
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