Cargando…
Void and voice : questioning narrative conventions in André Gide's major first-person narratives /
Charles O'Keefe provides a close reading of Andre Gide's three major first-person narratives--L'Immoraliste, La Porte etroite, and La Symphonie pastorale--through the lens of semiotics and narratology. O'Keefe argues that Gide is in many ways a 'pre-postmodernist' who u...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Chapel Hill :
Dept. of Romance Languages, the University of North Carolina at Chapel Hill,
1996.
|
| Colección: | North Carolina studies in the Romance languages and literatures ;
no. 251. |
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
| LEADER | 00000cam a2200000 a 4500 | ||
|---|---|---|---|
| 001 | JSTOR_ocn604641513 | ||
| 003 | OCoLC | ||
| 005 | 20231005004200.0 | ||
| 006 | m o d | ||
| 007 | cr bn||||||abp | ||
| 007 | cr bn||||||ada | ||
| 008 | 100407s1996 ncua ob 000 0 eng d | ||
| 040 | |a OCLCE |b eng |e pn |c OCLCE |d OCLCQ |d OCLCO |d OCLCQ |d YDX |d JSTOR |d EBLCP |d N$T |d MERUC |d OCLCF |d IDB |d IGB |d TXC |d AUW |d BTN |d MHW |d INTCL |d SNK |d AGLDB |d OCLCQ |d G3B |d LVT |d S8I |d S8J |d STF |d D6H |d AU@ |d OCLCO |d M8D |d OCL |d OCLCQ |d OCLCO |d UKAHL |d P@U |d UX1 |d MM9 |d LUN |d OCLCO |d OCLCA |d OCLCQ |d CNNOR |d OCLCO |d OCLCQ |d OCL | ||
| 019 | |a 608989849 |a 1029487223 |a 1050162474 |a 1080550566 |a 1100928908 |a 1152041830 |a 1162805862 |a 1182013719 |a 1193117648 |a 1252639615 |a 1257363114 |a 1300766687 | ||
| 020 | |a 9781469642598 |q (electronic bk.) | ||
| 020 | |a 146964259X |q (electronic bk.) | ||
| 020 | |z 0807892556 |q (alk. paper) | ||
| 020 | |z 9780807892558 |q (alk. paper) | ||
| 029 | 1 | |a AU@ |b 000067042339 | |
| 029 | 1 | |a GBVCP |b 1018244700 | |
| 029 | 1 | |a GBVCP |b 1048965309 | |
| 035 | |a (OCoLC)604641513 |z (OCoLC)608989849 |z (OCoLC)1029487223 |z (OCoLC)1050162474 |z (OCoLC)1080550566 |z (OCoLC)1100928908 |z (OCoLC)1152041830 |z (OCoLC)1162805862 |z (OCoLC)1182013719 |z (OCoLC)1193117648 |z (OCoLC)1252639615 |z (OCoLC)1257363114 |z (OCoLC)1300766687 | ||
| 037 | |a 22573/ctt21nbjx1 |b JSTOR | ||
| 042 | |a dlr | ||
| 050 | 4 | |a PQ2613.I2 |b Z65685 1996 | |
| 050 | 4 | |a PC13 |b .N67 no.251 | |
| 072 | 7 | |a LIT006000 |2 bisacsh | |
| 072 | 7 | |a LIT004150 |2 bisacsh | |
| 082 | 0 | 4 | |a 848/.91209 |2 20 |
| 084 | |a 18.25 |2 bcl | ||
| 049 | |a UAMI | ||
| 100 | 1 | |a O'Keefe, Charles, |d 1942- | |
| 245 | 1 | 0 | |a Void and voice : |b questioning narrative conventions in André Gide's major first-person narratives / |c by Charles O'Keefe. |
| 260 | |a Chapel Hill : |b Dept. of Romance Languages, the University of North Carolina at Chapel Hill, |c 1996. | ||
| 300 | |a 1 online resource (256 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 347 | |a data file | ||
| 490 | 1 | |a North Carolina studies in the Romance languages and literatures ; |v no. 251 | |
| 546 | |a Text in English with some notes and references in French. | ||
| 504 | |a Includes bibliographical references (pages 250-256). | ||
| 505 | 0 | |a Ch. 1. L'Immoraliste. I. Narrative Form Touched by Excess. II. Questioning the Conventional Interpretation of the Framed Narrative in L'Immoraliste. A. Who Speaks? B. Historical Context of Framed Narrative. C. New Critical Space. D. Paradigmatic Value of the Frame in L'Immoraliste. III. Contradictions Inherent in the Accessible Voice. A. Michel, An Echo of Menalque. B. Michel, An Intertext of Rousseau. C. The Palimpsest -- Ch. 2. La Porte etroite. I. Jerome as Editor. A. Jerome the Misquoting "Author" B. Narrator vs. Editor. C. Critical Yield. D. Forme et Fond. II. Onomastics. A. Names of Secondary Characters. B. "Alissa" and "Jerome" -- Ch. 3. La Symphonie pastorale. I. How Do We Read a Lying Narrator? A. The Critical Dawning. B. Accusing the Pastor. C. Justifying a Consideration of Narrative Lying. D. Reading the Lie. E. Lying or Evangelizing? F. The Hidden Agendas. G. Verbal and Erotic Anarchy. H. Semiosis and the Drama of Substitution. II. Onomastics. | |
| 506 | |3 Use copy |f Restrictions unspecified |2 star |5 MiAaHDL | ||
| 533 | |a Electronic reproduction. |b [Place of publication not identified] : |c HathiTrust Digital Library, |d 2010. |5 MiAaHDL | ||
| 538 | |a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |u http://purl.oclc.org/DLF/benchrepro0212 |5 MiAaHDL | ||
| 583 | 1 | |a digitized |c 2010 |h HathiTrust Digital Library |l committed to preserve |2 pda |5 MiAaHDL | |
| 588 | 0 | |a Print version record. | |
| 520 | |a Charles O'Keefe provides a close reading of Andre Gide's three major first-person narratives--L'Immoraliste, La Porte etroite, and La Symphonie pastorale--through the lens of semiotics and narratology. O'Keefe argues that Gide is in many ways a 'pre-postmodernist' who uses narrative strategies to show that there is a crucial connection between telling a story and telling the self. In particular, O'Keefe demonstrates the paradoxical fact that the tales simultaneously subvert and generate the illusion of their own mimetic presence. O'Keefe's study, with its judicious use of deconstructionist techniques, offers new insights into the literary and philosophical implications of Gide's fiction. | ||
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 600 | 1 | 0 | |a Gide, André, |d 1869-1951 |x Criticism and interpretation. |
| 600 | 1 | 0 | |a Gide, André, |d 1869-1951. |t Immoraliste. |
| 600 | 1 | 0 | |a Gide, André, |d 1869-1951. |t Porte étroite. |
| 600 | 1 | 0 | |a Gide, André, |d 1869-1951. |t Symphonie pastorale. |
| 600 | 1 | 1 | |a Gide, Andre, |d 1869-1951. |t Symphonie pastorale. |
| 600 | 1 | 1 | |a Gide, Andre, |d 1869-1951. |t Porte etroite. |
| 600 | 1 | 1 | |a Gide, Andre, |d 1869-1951. |t Immoraliste. |
| 600 | 1 | 1 | |a Gide, Andre, |d 1869-1951 |x Criticism and interpretation. |
| 600 | 1 | 6 | |a Gide, André, |d 1869-1951 |x Critique et interprétation. |
| 600 | 1 | 6 | |a Gide, André, |d 1869-1951. |t Immoraliste. |
| 600 | 1 | 6 | |a Gide, André, |d 1869-1951. |t Porte étroite. |
| 600 | 1 | 6 | |a Gide, André, |d 1869-1951. |t Symphonie pastorale. |
| 600 | 1 | 7 | |a Gide, André, |d 1869-1951. |2 fast |0 (OCoLC)fst00034185 |
| 630 | 0 | 7 | |a Symphonie pastorale (Gide, André) |2 fast |0 (OCoLC)fst02058036 |
| 630 | 0 | 7 | |a Immoraliste (Gide, André) |2 fast |0 (OCoLC)fst01358684 |
| 630 | 0 | 7 | |a Porte étroite (Gide, André) |2 fast |0 (OCoLC)fst01367690 |
| 650 | 0 | |a First person narrative. | |
| 650 | 6 | |a Récits à la première personne. | |
| 650 | 7 | |a LITERARY CRITICISM |x Semiotics & Theory. |2 bisacsh | |
| 650 | 7 | |a First person narrative. |2 fast |0 (OCoLC)fst00925781 | |
| 650 | 1 | 7 | |a Fictie. |2 gtt |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 776 | 0 | 8 | |i Print version: |a O'Keefe, Charles, 1942- |t Void and voice. |d Chapel Hill : Dept. of Romance Languages, the University of North Carolina at Chapel Hill, 1996 |w (DLC) 95021311 |w (OCoLC)32665355 |
| 830 | 0 | |a North Carolina studies in the Romance languages and literatures ; |v no. 251. | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.5149/9781469642598_okeefe |z Texto completo |
| 938 | |a Askews and Holts Library Services |b ASKH |n AH34274345 | ||
| 938 | |a EBL - Ebook Library |b EBLB |n EBL5323510 | ||
| 938 | |a EBSCOhost |b EBSC |n 1743673 | ||
| 938 | |a Project MUSE |b MUSE |n muse67627 | ||
| 938 | |a YBP Library Services |b YANK |n 15224808 | ||
| 994 | |a 92 |b IZTAP | ||