Cargando…
Void and voice : questioning narrative conventions in André Gide's major first-person narratives /
Charles O'Keefe provides a close reading of Andre Gide's three major first-person narratives--L'Immoraliste, La Porte etroite, and La Symphonie pastorale--through the lens of semiotics and narratology. O'Keefe argues that Gide is in many ways a 'pre-postmodernist' who u...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Chapel Hill :
Dept. of Romance Languages, the University of North Carolina at Chapel Hill,
1996.
|
| Colección: | North Carolina studies in the Romance languages and literatures ;
no. 251. |
| Temas: | |
| Acceso en línea: | Texto completo |
| Sumario: | Charles O'Keefe provides a close reading of Andre Gide's three major first-person narratives--L'Immoraliste, La Porte etroite, and La Symphonie pastorale--through the lens of semiotics and narratology. O'Keefe argues that Gide is in many ways a 'pre-postmodernist' who uses narrative strategies to show that there is a crucial connection between telling a story and telling the self. In particular, O'Keefe demonstrates the paradoxical fact that the tales simultaneously subvert and generate the illusion of their own mimetic presence. O'Keefe's study, with its judicious use of deconstructionist techniques, offers new insights into the literary and philosophical implications of Gide's fiction. |
|---|---|
| Descripción Física: | 1 online resource (256 pages) : illustrations |
| Bibliografía: | Includes bibliographical references (pages 250-256). |
| ISBN: | 9781469642598 146964259X |