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Skin shows : gothic horror and the technology of monsters /
In this examination of the monster as cultural object, Judith Halberstam offers a rereading of the monstrous that revises our view of the Gothic. Moving from the nineteenth century and the works of Shelley, Stevenson, Stoker, and Wilde to contemporary horror film exemplified by such movies as Silenc...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Durham :
Duke University Press,
1995.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Halberstam, Jack, |d 1961- |e author. | |
| 245 | 1 | 0 | |a Skin shows : |b gothic horror and the technology of monsters / |c Judith Halberstam. |
| 260 | |a Durham : |b Duke University Press, |c 1995. | ||
| 300 | |a 1 online resource (x, 215 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 347 | |a text file | ||
| 347 | |b PDF | ||
| 504 | |a Includes bibliographical references (pages 203-209) and index. | ||
| 505 | 0 | |a Parasites and perverts: an introduction to gothic monstrosity -- Making monsters: Mary Shelley's Frankenstein -- Gothic surface, gothic depth: the subject of secrecy in Stevenson and Wilde -- Technologies of monstrosity: Bram Stoker's Dracula -- Reading counterclockwise: paranoid gothic or gothic paranoia? -- Bodies that splatter: queers and chain saws -- Skinflick: posthuman genderin Jonathan Demme's The silence of the lambs -- Conclusion: serial killing. | |
| 506 | |3 Use copy |f Restrictions unspecified |2 star |5 MiAaHDL | ||
| 533 | |a Electronic reproduction. |b [Place of publication not identified] : |c HathiTrust Digital Library, |d 2010. |5 MiAaHDL | ||
| 538 | |a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |u http://purl.oclc.org/DLF/benchrepro0212 |5 MiAaHDL | ||
| 583 | 1 | |a digitized |c 2010 |h HathiTrust Digital Library |l committed to preserve |2 pda |5 MiAaHDL | |
| 588 | 0 | |a Print version record. | |
| 546 | |a English. | ||
| 520 | 8 | |a In this examination of the monster as cultural object, Judith Halberstam offers a rereading of the monstrous that revises our view of the Gothic. Moving from the nineteenth century and the works of Shelley, Stevenson, Stoker, and Wilde to contemporary horror film exemplified by such movies as Silence of the Lambs, Texas Chainsaw Massacre, and Candyman, Skin Shows understands the Gothic as a versatile technology, a means of producing monsters that is constantly being rewritten by historically and culturally conditioned fears generated by a shared sense of otherness and difference. Deploying feminist and queer approaches to the monstrous body, Halberstam views the Gothic as a broad-based cultural phenomenon that supports and sustains the economic, social, and sexual hierarchies of the time. She resists familiar psychoanalytic critiques and cautions against any interpretive attempt to reduce the affective power of the monstrous to a single factor. The nineteenth-century monster is shown, for example, as configuring otherness as an amalgam of race, class, gender, and sexuality. Invoking Foucault, Halberstam describes the history of monsters in terms of its shifting relation to the body and its representations. As a result, her readings of familiar texts are radically new. She locates psychoanalysis itself within the gothic tradition and sees sexuality as a beast created in nineteenth century literature. Excessive interpretability, Halberstam argues, whether in film, literature, or in the culture at large, is the actual hallmark of monstrosity. | |
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 650 | 0 | |a Horror tales, English |x History and criticism. | |
| 650 | 0 | |a Gothic revival (Literature) |z Great Britain. | |
| 650 | 0 | |a Literature and technology |z Great Britain. | |
| 650 | 0 | |a Horror films |x History and criticism. | |
| 650 | 0 | |a Monsters in motion pictures. | |
| 650 | 0 | |a Monsters in literature. | |
| 650 | 6 | |a Récits d'horreur anglais |x Histoire et critique. | |
| 650 | 6 | |a Littérature frénétique |z Grande-Bretagne. | |
| 650 | 6 | |a Littérature et technologie |z Grande-Bretagne. | |
| 650 | 6 | |a Films d'horreur |x Histoire et critique. | |
| 650 | 6 | |a Monstres au cinéma. | |
| 650 | 6 | |a Monstres dans la littérature. | |
| 650 | 7 | |a LITERARY CRITICISM |x European |x English, Irish, Scottish, Welsh. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x History & Criticism. |2 bisacsh | |
| 650 | 7 | |a Gothic revival (Literature) |2 fast |0 (OCoLC)fst00945084 | |
| 650 | 7 | |a Horror films. |2 fast |0 (OCoLC)fst00960370 | |
| 650 | 7 | |a Horror tales, English. |2 fast |0 (OCoLC)fst00960411 | |
| 650 | 7 | |a Literature and technology. |2 fast |0 (OCoLC)fst01000104 | |
| 650 | 7 | |a Monsters in literature. |2 fast |0 (OCoLC)fst01025760 | |
| 650 | 7 | |a Monsters in motion pictures. |2 fast |0 (OCoLC)fst01025762 | |
| 651 | 7 | |a Great Britain. |2 fast |0 (OCoLC)fst01204623 | |
| 650 | 1 | 7 | |a Griezelfilms. |2 gtt |
| 650 | 1 | 7 | |a Monsters. |2 gtt |
| 650 | 1 | 7 | |a Populaire cultuur. |2 gtt |
| 653 | 0 | |a English fiction |a Gothic novels | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 776 | 0 | 8 | |i Print version: |a Halberstam, Judith, 1961- |t Skin shows. |d Durham : Duke University Press, 1995 |z 0822316633 |w (DLC) 95000948 |w (OCoLC)31971106 |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctv1220pqp |z Texto completo |
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