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The spectacle of history : speech, text, and memory at the Iran-Contra hearings /
How is history produced? How do individuals write--or rewrite--their parts while engaged in the production of history? Michael Lynch and David Bogen take the example of the Iran-contra hearings to explore these questions. These hearings, held in 1987 by the Joint House-Senate Select Committee on Sec...
| Clasificación: | Libro Electrónico |
|---|---|
| Autores principales: | , |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Durham :
Duke University Press,
1996.
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| Colección: | Post-contemporary interventions.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Lynch, Michael, |d 1948- |e author. | |
| 245 | 1 | 4 | |a The spectacle of history : |b speech, text, and memory at the Iran-Contra hearings / |c Michael Lynch and David Bogen. |
| 260 | |a Durham : |b Duke University Press, |c 1996. | ||
| 300 | |a 1 online resource (ix, 348 pages) : |b illustrations | ||
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| 490 | 1 | |a Post-contemporary interventions | |
| 504 | |a Includes bibliographical references (pages 289-335) and index. | ||
| 505 | 0 | 0 | |g 1. |t The Sincere Liar -- |g 2. |t The Production of History -- |g 3. |t The Ceremonial of Truth -- |g 4. |t The Truth-Finding Engine -- |g 5. |t Stories and Master Narratives -- |g 6. |t Memory in Testimony -- |g 7. |t The Documentary Method of Interrogation -- |t Conclusion: A Civics Lesson in the Logic of Sleaze -- |t Methodological Appendix: Postanalytic Ethnomethodology. |
| 506 | |3 Use copy |f Restrictions unspecified |2 star |5 MiAaHDL | ||
| 533 | |a Electronic reproduction. |b [Place of publication not identified] : |c HathiTrust Digital Library, |d 2010. |5 MiAaHDL | ||
| 538 | |a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |u http://purl.oclc.org/DLF/benchrepro0212 |5 MiAaHDL | ||
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| 520 | |a How is history produced? How do individuals write--or rewrite--their parts while engaged in the production of history? Michael Lynch and David Bogen take the example of the Iran-contra hearings to explore these questions. These hearings, held in 1987 by the Joint House-Senate Select Committee on Secret Military Assistance to Iran and the Nicaragua Opposition, provided the nation with a media spectacle and a rare chance to see a struggle over the writing of history. There was Oliver North, prime suspect and designated scapegoat, turning into a hero of the American Right before the very eyes of the nation. How this transformation occurred, with the complicity of the press and the public, becomes disturbingly clear in The Spectacle of History. Lynch and Bogen detail the practices through which the historical agents at the center of the hearings composed, confirmed, used, erased, and denied the historical record. They show how partisan skirmishes over the disclosure of records and testimony led to a divided and irresolute outcome, an outcome further facilitated by the "applied deconstruction" deployed by North and his allies. The Spectacle of History immerses the reader in a crowded field of texts, utterances, visual displays, and media commentaries, but, more than a case study, it develops unique insight into problems at the heart of society and social theory--lying and credibility, the production of civic spectacle, the relationship between testimony and history, the uses of memory, and the interplay between speech and writing. Drawing on themes from sociology, literary theory, and ethnomethodology and challenging prevailing concepts held by contemporary communication and cultural studies, Lynch and Bogen extract valuable theoretical lessons from this specific and troubling historical episode | ||
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