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The scenic imagination : originary thinking from Hobbes to the present day /

Gans argues that the uniquely human phenomenon of representation, as manifested in language, art, and ritual, is a scenic event focused on a central object designated by a sign. The originary hypothesis posits the necessity of conceiving the origin of the human as such an event. The book follows the...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Gans, Eric Lawrence, 1941-
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Stanford, Calif. : Stanford University Press, 2008.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Gans, Eric Lawrence,  |d 1941- 
245 1 4 |a The scenic imagination :  |b originary thinking from Hobbes to the present day /  |c Eric Gans. 
260 |a Stanford, Calif. :  |b Stanford University Press,  |c 2008. 
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520 8 |a Gans argues that the uniquely human phenomenon of representation, as manifested in language, art, and ritual, is a scenic event focused on a central object designated by a sign. The originary hypothesis posits the necessity of conceiving the origin of the human as such an event. The book follows the work of the scenic imagination in selected writings of twenty thinkers, and concludes with a critical examination of contemporary writing on the origins of religion and language. 
546 |a English. 
505 0 |a The enlightenment : from Hobbes to Condillac -- Rousseau -- Alternative anthropologies : Vico and Herder -- Kant's aesthetic anthropology -- Ending the enlightenment -- Scenes of philosophy -- Scenes of human science -- Conclusion : the scenic imagination lost and found. 
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776 0 8 |i Print version:  |a Gans, Eric Lawrence, 1941-  |t Scenic imagination.  |d Stanford, Calif. : Stanford University Press, 2008  |w (DLC) 2007007303  |w (OCoLC)85892211 
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