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JSTOR_ocn593215880 |
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OCoLC |
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|a 22573/ctt32f586
|b JSTOR
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|a PN3451
|b .L58 2002eb
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|a 809.3
|2 22
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|a UAMI
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|a The literary channel :
|b the inter-national invention of the novel /
|c edited by Margaret Cohen and Carolyn Dever.
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|a Princeton, N.J. :
|b Princeton University Press,
|c ©2002.
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|a 1 online resource (viii, 319 pages) :
|b illustrations, map
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Translation/transnation
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|a Includes bibliographical references (pages 295-302) and index.
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|a Transnationalism and the origins of the (French?) novel / Joan DeJean -- National or transnational? The eighteenth-century novel / Mary Helen Mc Murran -- Sentimental bonds and revolutionary characters: Richardson's Pamela in England and France / Lynn Festa -- Sentimental communities / Margaret Cohen -- Transnational sympathies, imaginary communities / April Alliston -- Phantom states: Cleveland, The recess, and the origins of historical fiction / Richard Maxwell -- Gender, empire, and epistolarity: from Jane Austen's Mansfield Park to Marie-Thérèse Humbert's La montagne des signaux / Françoise Lionnet -- The (dis)locations of romantic nationalism: Shelley, Staël, and the home-schooling of monsters / Deidre Shauna Lynch -- "An occult and immoral tyranny": the novel, the police, and the agent provocateur / Carolyn Dever -- Comparative Sapphism / Sharon Marcus -- From literary channel to narrative chunnel / Emily Apter.
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|a Print version record.
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|a The Literary Channel defines a crucial transnational literary ""zone"" that shaped the development of the modern novel. During the first two centuries of the genre's history, Britain and France were locked in political, economic, and military struggle. The period also saw British and French writers, critics, and readers enthusiastically exchanging works, codes, and theories of the novel. Building on both nationally based literary history and comparatist work on poetics, this book rethinks the genre's evolution as marking the power and limits of modern cultural nationalism. In t.
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|a English.
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a Fiction
|x History and criticism.
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|a Invention (Rhetoric)
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|a Roman
|x Histoire et critique.
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|a Invention (Rhétorique)
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|a TRAVEL
|x Special Interest
|x Literary.
|2 bisacsh
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|a LITERARY CRITICISM
|x General.
|2 bisacsh
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|a LITERARY CRITICISM
|x European
|x English, Irish, Scottish, Welsh.
|2 bisacsh
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|a Fiction
|2 fast
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|a Invention (Rhetoric)
|2 fast
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|a Romans.
|2 gtt
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|a Frans.
|2 gtt
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|a Engels.
|2 gtt
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|a Invloed.
|2 gtt
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|a Criticism, interpretation, etc.
|2 fast
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|a Cohen, Margaret,
|d 1958-
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|a Dever, Carolyn.
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|i Print version:
|t Literary channel.
|d Princeton, N.J. : Princeton University Press, ©2002
|z 9780691050027
|w (DLC) 2001021484
|w (OCoLC)46422143
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830 |
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|a Translation/transnation.
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctt3fgx2r
|z Texto completo
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938 |
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|a Askews and Holts Library Services
|b ASKH
|n AH26387514
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|a EBL - Ebook Library
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|n literarychanneli0000unse
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|a 92
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