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Joyce, Bakhtin, and popular literature : chronicles of disorder /
The sheer mass of allusion to popular literature in the writings of James Joyce is daunting. Using theories developed by Russian critic Mikhail Bakhtin, R. B. Kershner analyzes how Joyce made use of popular literature in such early works as Stephen Hero, Dubliners, A Portrait of an Artist as a Young...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Chapel Hill :
University of North Carolina Press,
©1989.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Kershner, R. B., |d 1944- | |
| 245 | 1 | 0 | |a Joyce, Bakhtin, and popular literature : |b chronicles of disorder / |c by R.B. Kershner. |
| 260 | |a Chapel Hill : |b University of North Carolina Press, |c ©1989. | ||
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| 504 | |a Includes bibliographical references (pages 321-331) and index. | ||
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| 505 | 0 | |a Cover -- Contents -- Acknowledgments -- Abbreviations in the Text -- Chapter 1. Joyce, Bakhtin, and the Canon -- Joyce and Popular Literature -- Adolescent Attitudes -- Joyce, the Press, and Popular Writing -- The Problematics of Popularity -- Bakhtin's Dialogism -- Chapter 2. Young Dubliners: Popular Ideologies -- The Sisters: Breaking the Silence -- An Encounter: Boys' Magazines and the Pseudo-Literary -- Araby: Varieties of Popular Romance -- Eveline: Bourgeois Drama and Pornography -- After the Race: Modern Musketeers -- Two Gallants: The Ideology of Gallantry -- The Boarding House: The Rhetoric of Oxymoron -- Chapter 3. Older Dubliners: Repetition and Rhetoric -- Stories of Maturity -- A Little Cloud: Exclusion and Assimilation -- Counterparts: Obsessive Repetition -- Clay: Repetition and Dialogism -- A Painful Case: The Rhetoric of Disembodiment -- Stories of Public Life -- Ivy Day in the Committee Room: Consensus and Group Fantasy -- A Mother: Economic and Social Rhetoric -- Grace: Periphrasis and the Unspeakable -- The Dead: Women's Speech and Tableau -- Chapter 4. A Dialogical Portrait -- Dialogical Variations -- Dialogism and Incremental Repetition -- Stephen's Schooldays -- Tom Brown's School-Days -- Eric, or Little by Little and The Harrovians -- Vice-Versa -- Romantic Image -- A Modern Daedalus -- The Count of Monte Cristo -- Romantic Precursors -- Chapter 5. A Portrait of the Artist as Text -- Stephen's Reading: Allusive Dialogism -- Peter Parley's Tales -- Ingomar the Barbarian and The Lady of Lyons -- Joyce's Reading: Elusive Dialogism -- The Ideology of an Aesthete: Havelock Ellis and The New Spirit -- Portraits of Artists and Others -- Chapter 6. Sex/Love/Marriage: Portrait, Stephen Hero, and Exiles -- The Discourse of Sexuality and Marriage -- Charles Albert: L'Amour libre -- The Example of Exiles -- Grant Allen: The Woman Who Did. -- Filson Young: The Sands of Pleasure -- Karin Michaelis: The Dangerous Age -- Marcelle Tinayre: The House of Sin -- Sexuality and Ideology -- Chapter 7. Conclusions -- Notes -- Bibliography -- Index. | |
| 520 | |a The sheer mass of allusion to popular literature in the writings of James Joyce is daunting. Using theories developed by Russian critic Mikhail Bakhtin, R. B. Kershner analyzes how Joyce made use of popular literature in such early works as Stephen Hero, Dubliners, A Portrait of an Artist as a Young Man, and Exiles. Kershner also examines Joyce's use of rhetoric, the relationship between narrator and protagonist, and the interplay of voices, whether personal, literary, or sub literary, in Joyce's writing. In pointing out the prolific allusions in Joyce to newspapers, children's books, popular novels, and even pornography, Kershner shows how each of these contributes to the structures of consciousness of Joyce's various characters, all of whom write and rewrite themselves in terms of the texts they read in their youth. He also investigates the intertextual role of many popular books to which Joyce alludes in his writings and letters, or which he owned -- some well-known, others now obscure. Kershner presents Joyce as a writer with a high degree of social consciousness, whose writings highlight the conflicting ideologies of the Irish bourgeoisie. In exploring the social dimension of Joyce's writing, he calls upon such important contemporary thinkers as Jameston, Althusser, Barthes, and Lacan in addition to Bakhtin. Joyce's literary response to his historical situation was not polemical, Kershner argues, but, in Bakhtin's terms, dialogical: his writings represent an unremitting dialogue with the discordant but powerful voices of his day, many inaudible to us now.Joyce, Bakhtin, and Popular Literature places Joyce within the social and intellectual context of his time. Through stylistic, social, and ideological analysis, Kersner gives us a fuller grasp of the complexity of Joyce's earlier writings. | ||
| 520 | |a Joyce, Bakhtin, and Popular Literature: Chronicles of Disorder. | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 600 | 1 | 0 | |a Joyce, James, |d 1882-1941 |x Knowledge |x Literature. |
| 600 | 1 | 0 | |a Bakhtin, M. M. |q (Mikhail Mikhaĭlovich), |d 1895-1975. |
| 600 | 1 | 1 | |a Bakhtin, M. M. |q (Mikhail Mikhaĭlovich), |d 1895-1975. |
| 600 | 1 | 1 | |a Joyce, James, |d 1882-1941 |x Knowledge |x Literature. |
| 600 | 1 | 4 | |a Bakhtin, M. |q (Mikhail), |d 1895-1975. |
| 600 | 1 | 4 | |a Joyce, James, |d 1882-1941 |x Criticism and interpretation. |
| 600 | 1 | 7 | |a Bakhtin, M. M. |q (Mikhail Mikhaĭlovich), |d 1895-1975 |2 fast |
| 600 | 1 | 7 | |a Joyce, James, |d 1882-1941 |2 fast |
| 650 | 0 | |a Popular literature |x History and criticism |x Theory, etc. | |
| 650 | 0 | |a Books and reading in literature. | |
| 650 | 0 | |a Popular culture in literature. | |
| 650 | 0 | |a Dialectic. | |
| 650 | 6 | |a Paralittérature |x Histoire et critique |x Théorie, etc. | |
| 650 | 6 | |a Livres et lecture dans la littérature. | |
| 650 | 6 | |a Culture populaire dans la littérature. | |
| 650 | 6 | |a Dialectique. | |
| 650 | 7 | |a dialectic. |2 aat | |
| 650 | 7 | |a LITERARY CRITICISM |x European |x English, Irish, Scottish, Welsh. |2 bisacsh | |
| 650 | 7 | |a LITERARY CRITICISM |x General. |2 bisacsh | |
| 650 | 7 | |a Literature |2 fast | |
| 650 | 7 | |a Books and reading in literature |2 fast | |
| 650 | 7 | |a Dialectic |2 fast | |
| 650 | 7 | |a Popular culture in literature |2 fast | |
| 653 | |a Literature |a Criticism |a Bakhtin, M |a (Mikhail), 1895-1975 | ||
| 653 | |a Fiction in English |a Joyce, James, 1882-1941 - Critical studies | ||
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Kershner, R.B., 1944- |t Joyce, Bakhtin, and popular literature. |d Chapel Hill : University of North Carolina Press, ©1989 |w (DLC) 88022711 |w (OCoLC)18255243 |
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