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E.T.A. Hoffmanns Märchenschaffen : Kaleidoskop der Verfremdung in seinen sieben Märchen /

This book provides a critical study of all seven of Hoffmann's "Kunstmärchen". Vitt-Maucher's detailed individual analyses focus on Hoffmann's use of structural, stylistic, and linguistic devices to create poetic deviations from the norms of reality. These deviations are di...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Vitt-Maucher, Gisela
Formato: Electrónico eBook
Idioma:Alemán
Publicado: Chapel Hill : University of North Carolina Press, ©1989.
Colección:University of North Carolina studies in the Germanic languages and literatures ; no. 108.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Vitt-Maucher, Gisela. 
245 1 0 |a E.T.A. Hoffmanns Märchenschaffen :  |b Kaleidoskop der Verfremdung in seinen sieben Märchen /  |c Gisela Vitt-Maucher. 
260 |a Chapel Hill :  |b University of North Carolina Press,  |c ©1989. 
300 |a 1 online resource (viii, 232 pages) :  |b illustrations 
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490 1 |a University of North Carolina studies in the Germanic languages and literatures ;  |v no. 108 
504 |a Includes bibliographical references (pages 221-228) and index. 
506 |3 Use copy  |f Restrictions unspecified  |2 star  |5 MiAaHDL 
520 |a This book provides a critical study of all seven of Hoffmann's "Kunstmärchen". Vitt-Maucher's detailed individual analyses focus on Hoffmann's use of structural, stylistic, and linguistic devices to create poetic deviations from the norms of reality. These deviations are diverse: distortions of language and time; altered dimensions of reality, persons, and objects; transformations and reversals of 'normal' conditions or conventions. They underlie Hoffmann's often humorous or grotesque world of fairy tale 'magic' and convey to the reader the poet's intent. In the course of his fairy tale production (1814–1821), Hoffmann's use of language, imagery, and structure becomes increasingly distorted and alienated from everyday reality. Similarly, his employment of humor develops from early sociocritical, ironic, and parodistic intent to more autonomous and clearly less referential forms of 'absolute humor.' 
533 |a Electronic reproduction.  |b [Place of publication not identified] :  |c HathiTrust Digital Library,  |d 2010.  |5 MiAaHDL 
538 |a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.  |u http://purl.oclc.org/DLF/benchrepro0212  |5 MiAaHDL 
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590 |a JSTOR  |b Books at JSTOR All Purchased 
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600 1 0 |a Hoffmann, E. T. A.  |q (Ernst Theodor Amadeus),  |d 1776-1822  |x Criticism and interpretation. 
600 1 1 |a Hoffmann  |b Ernst T. A.  |x Kunstmärchen  |x Verfremdung. 
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650 0 |a Alienation (Social psychology) in literature. 
650 6 |a Contes de fées  |z Allemagne  |x Histoire et critique. 
650 6 |a Aliénation (Psychologie sociale) dans la littérature. 
650 7 |a Alienation (Social psychology) in literature.  |2 fast  |0 (OCoLC)fst00805273 
650 7 |a Fairy tales.  |2 fast  |0 (OCoLC)fst00919916 
651 7 |a Germany.  |2 fast  |0 (OCoLC)fst01210272 
650 1 7 |a Sprookjes.  |2 gtt 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
776 0 8 |i Print version:  |a Vitt-Maucher, Gisela.  |t E.T.A. Hoffmanns Märchenschaffen.  |d Chapel Hill : University of North Carolina Press, ©1989  |w (DLC) 88022710  |w (OCoLC)18255239 
830 0 |a University of North Carolina studies in the Germanic languages and literatures ;  |v no. 108. 
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