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The tattooed desert.
Shelton says of his work: ""I consider myself a regionalist and a surrealist. I have lived in the desert for ten years and hope that my work reflects that fact."" In the forty-seven poems in this collection the poet moves backward and forward through time but always in the same l...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
[Pittsburgh] :
University of Pittsburgh Press,
[1971]
|
| Colección: | Pitt poetry series.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Shelton, Richard, |d 1933- | |
| 245 | 1 | 4 | |a The tattooed desert. |
| 260 | |a [Pittsburgh] : |b University of Pittsburgh Press, |c [1971] | ||
| 300 | |a 1 online resource (73 pages). | ||
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| 490 | 1 | |a Pitt poetry series | |
| 533 | |a Electronic reproduction. |b [S.l.] : |c HathiTrust Digital Library, |d 2010. |5 MiAaHDL | ||
| 538 | |a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |u http://purl.oclc.org/DLF/benchrepro0212 |5 MiAaHDL | ||
| 583 | 1 | |a digitized |c 2010 |h HathiTrust Digital Library |l committed to preserve |2 pda |5 MiAaHDL | |
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a I. The Forgetting; Gambit; My Woman; September; Today; October; Letter from an Inland Province; Men as Trees; New Year's Eve; The Source; April; Under the Bridge; The White Hotel; II. The Communion of Strangers; History; Eden After Dark; Rendezvous; Saturday Night at the Elk's Club; Six Reports from the Age of Mirrors; The Mute; Notes from the Night Watcher; Autobiography; He Who Remains; The Past; The Way Back; Strangers; III. The Scars; Reunion; Scene of the Accident; August; Surgery; November; Cortege; Instructions for Finding Water; December; The Search; Questioning the Dead. | |
| 505 | 8 | |a Not Many Years LaterPrayer to the God of Darkness; IV. The Crossing; The Voices; Near Water; The Children; The Coat of Many Colors; The End of the Line; The Crossing; Connais-Tu le Pays?; The Unexpected; Valediction; V. The Tattooed Desert; The Tattooed Desert. | |
| 520 | |a Shelton says of his work: ""I consider myself a regionalist and a surrealist. I have lived in the desert for ten years and hope that my work reflects that fact."" In the forty-seven poems in this collection the poet moves backward and forward through time but always in the same landscape, the desert-mountains of southern Arizona, which foster his surrealistic view of his interior conflict. He is followed by peculiarly insistent voices from the past. | ||
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
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| 650 | 0 | |a American poetry. | |
| 650 | 6 | |a Poésie américaine. | |
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| 776 | 0 | 8 | |i Print version: |a Shelton, Richard. |t Tattooed Desert. |d Pittsburgh : University of Pittsburgh Press, ©2014 |z 9780822952190 |
| 830 | 0 | |a Pitt poetry series. | |
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