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|a Bullough, Geoffrey,
|d 1901-1982.
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|a Mirror of minds :
|b changing psychological beliefs in English poetry /
|c Geoffrey Bullough.
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|a [Toronto] :
|b University of Toronto Press,
|c [1962]
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|a 1 online resource (xiv, 271 pages)
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|a text
|b txt
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|a online resource
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|a Alexander lectures ;
|v 1959-60
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|a Includes bibliographical references and index.
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|3 Use copy
|f Restrictions unspecified
|2 star
|5 MiAaHDL
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|a Electronic reproduction.
|b [Place of publication not identified] :
|c HathiTrust Digital Library,
|d 2010.
|5 MiAaHDL
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|a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
|u http://purl.oclc.org/DLF/benchrepro0212
|5 MiAaHDL
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|a digitized
|c 2010
|h HathiTrust Digital Library
|l committed to preserve
|2 pda
|5 MiAaHDL
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|a Print version record.
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|t Frontmatter --
|t Preface --
|t Contents --
|t Acknowledgements --
|t I. The Poetry of the Soul's Instruments during the Renaissance --
|t II. The Development of Shakespeare's Attitude to the Mind --
|t III. Reason, the Passions, and Associations from Dry den to Wordsworth --
|t IV. Associations, Intuition, and Immortal Longings in the Nineteenth Century --
|t V. The Individual and the Racial Image in Modern Poetry --
|t Notes --
|t Index
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|a The aim of the author, who has long been interested in the history of ideas, has been to give some illustrations of the ways in which at various periods English poetry has reflected current views of the human mind, with special reference to such topics as its place in the cosmos, its relations with the body, the connections between sense, passions, and reason, the problem of soul and its possible survival after death. The subject matter is important, for many of the more self-conscious writers have been profoundly affected by their assumptions about the senses and passions, the reason and the imagination. The author traces four main historical phases in each of which different aspects and potentialities of the mind have been stressed. Chapter I discusses the microcosmic conception of man inherited from the Middle Ages and traces its influence in some allegorical and didactic verse, lyric and epic. Chapter II considers the development of Shakespeare's attitude to the mind and human character. Chapter III turns to some effects (between Dryden and Wordsworth) of the seventeenth-century revolution in philosophy and science, including the search for clarity and order, the Augustan interest in reason and the passions, and the rise of the association of psychology. Chapter IV shows how the Romantic poets made use of associations and intuitions, and discusses the Victorian poets' hopes and fears about immortality in relation to the advance of science. The last chapter traces the influence of the philosophy of the "moment" from the aesthetes to T.S. Eliot, and distinguishes the effects of some twentieth-century psychologies in modern poetry. Poets, of course, have rarely been systematic philosophers or psychologists; they have usually picked out and applied imaginatively only a few notions from contemporary thought. Consequently this study does not attempt to set the history of English poetry squarely against the history of philosophy. Rather, characteristic topics and writers have been selected and the discussion of them will be seen to throw light on some major imaginative preoccupations of each age. The student of English poetry and the history of ideas will find valuable comments on the major writers from Chaucer and Spenser down through Shakespeare and Milton, Dryden, Wordsworth, Shelley, Tennyson, Browning, Hardy and on a variety of modern poets such as Bridges, Eliot, Sitwell, Auden, and Graces. Alexander Lecture Series
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|b Books at JSTOR Evidence Based Acquisitions
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a English poetry
|x History and criticism.
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|a Psychology in literature.
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|a Poésie anglaise
|x Histoire et critique.
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|a Psychologie dans la littérature.
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|a LITERARY CRITICISM
|x Semiotics & Theory.
|2 bisacsh
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|a POETRY
|x English, Irish, Scottish, Welsh.
|2 bisacsh
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|a English poetry
|2 fast
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|a Psychology in literature
|2 fast
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|a Criticism, interpretation, etc.
|2 fast
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|i Print version:
|a Bullough, Geoffrey, 1901-1982.
|t Mirror of minds.
|d [Toronto] University of Toronto Press [©1962]
|w (DLC) 63025049
|w (OCoLC)355211
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830 |
|
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|a Alexander lectures ;
|v 1959-60.
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856 |
4 |
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|u https://jstor.uam.elogim.com/stable/10.3138/j.ctt15jvxmb
|z Texto completo
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