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100325s1974 pau ob 001 0 eng d |
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|a OCLCE
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|a dlr
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|a e-uk-en
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|b .C6 1974
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|a UAMI
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|a Condee, Ralph Waterbury,
|d 1916-1997.
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|a Structure in Milton's poetry: from the foundation to the pinnacles.
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|a University Park,
|b Pennsylvania State University Press
|c [©1974]
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|a 1 online resource (202 pages)
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Includes bibliographical references (pages 192-198).
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|3 Use copy
|f Restrictions unspecified
|2 star
|5 MiAaHDL
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|a Electronic reproduction.
|b [Place of publication not identified] :
|c HathiTrust Digital Library,
|d 2010.
|5 MiAaHDL
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|a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
|u http://purl.oclc.org/DLF/benchrepro0212
|5 MiAaHDL
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|a digitized
|c 2010
|h HathiTrust Digital Library
|l committed to preserve
|2 pda
|5 MiAaHDL
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|a Print version record.
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|a English.
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|a Cover -- Title -- Copyright -- Contents -- Acknowledgments -- I. Milton's Poetical Architecture -- II. The Dynamic Structure of Paradise Lost -- III. The Early Latin Poems and ""Lycidas -- IV. The Fair Infant, ""Elegia Quinta, "" and the Nativity Ode -- V. The Companion Pieces and ""Ad Patrem -- VI. Comus as a Multi-Dimensional Poem -- VII. ""Mansus"" and the Panegyric Tradition -- VIII. ""Epitaphium Damonis"" as the Transcendence over the Pastoral -- IX. Samson Agonistes and the Tragic Justice of God's Ways -- X. Paradise Regained as the Transcendence over the Epic
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|a XI. The Developing Concept of Structure in Milton's Poetry -- Notes -- Works Cited -- Index
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|a Milton's skill in constructing poems whose structure is determined, not by rule or precedent, but by the thought to be expressed, is one of his chief accomplishments as a creative artist. Professor Condee analyzes seventeen of Milton's poems, both early and late, well and badly organized, in order to trace the poet's developing ability to create increasingly complex poetic structures.Three aspects of Milton's use of poetic structure are stressed: the relation of the parts to the whole and parts to parts, his ability to unite actual events with the poetic situation, and his use and variation of literary tradition to establish the desired structural unity.
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a JSTOR
|b Books at JSTOR All Purchased
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|a Milton, John,
|d 1608-1674
|x Criticism and interpretation.
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|a Milton, John,
|d 1608-1674.
|2 fast
|0 (OCoLC)fst00029106
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|a Poetics
|x History
|y 17th century.
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|a Poétique
|x Histoire
|y 17e siècle.
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|a POETRY
|x English, Irish, Scottish, Welsh.
|2 bisacsh
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|a LITERARY CRITICISM
|x Poetry.
|2 bisacsh
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|a Poetics.
|2 fast
|0 (OCoLC)fst01067682
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|a 1600 - 1699
|2 fast
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|a Poetry in English
|a Milton, John, 1608-1674 - Critical studies
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|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
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|a History.
|2 fast
|0 (OCoLC)fst01411628
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|i Print version:
|a Condee, Ralph Waterbury, 1916-1997.
|t Structure in Milton's poetry: from the foundation to the pinnacles.
|d University Park, Pennsylvania State University Press [©1974]
|w (DLC) 73012934
|w (OCoLC)790239
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|u https://jstor.uam.elogim.com/stable/10.5325/j.ctv14gp6t5
|z Texto completo
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|a ProQuest Ebook Central
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|a Internet Archive
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|a YBP Library Services
|b YANK
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