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The political unconscious : narrative as a socially symbolic act /
Fredric Jameson, in The Political Unconscious, opposes the view that literary creation can take place in isolation from its political context. He asserts the priority of the political interpretation of literary texts, claiming it to be at the center of all reading and understanding, not just a suppl...
| Clasificación: | Libro Electrónico |
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| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Ithaca, N.Y. :
Cornell University Press,
1981.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Jameson, Fredric, |e author. | |
| 245 | 1 | 4 | |a The political unconscious : |b narrative as a socially symbolic act / |c Fredric Jameson. |
| 260 | |a Ithaca, N.Y. : |b Cornell University Press, |c 1981. | ||
| 300 | |a 1 online resource (305 pages) | ||
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| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | 0 | |t On interpretation: literature as a socially symbolic act -- |t Magical narratives: on the dialectical use of genre criticism -- |t Realism and desire: Balzac and the problem of the subject -- |t Authentic ressentiment: generic discontinuities and ideologemes in the "experimental" novels of George Gissing -- |t Romance and reification: plot construction and ideological closure in Joseph Conrad -- |g Conclusion: |t The dialectic of Utopia and ideology. |
| 506 | |3 Use copy |f Restrictions unspecified |2 star |5 MiAaHDL | ||
| 533 | |a Electronic reproduction. |b [Place of publication not identified] : |c HathiTrust Digital Library, |d 2010. |5 MiAaHDL | ||
| 538 | |a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |u http://purl.oclc.org/DLF/benchrepro0212 |5 MiAaHDL | ||
| 583 | 1 | |a digitized |c 2010 |h HathiTrust Digital Library |l committed to preserve |2 pda |5 MiAaHDL | |
| 588 | 0 | |a Print version record. | |
| 520 | |a Fredric Jameson, in The Political Unconscious, opposes the view that literary creation can take place in isolation from its political context. He asserts the priority of the political interpretation of literary texts, claiming it to be at the center of all reading and understanding, not just a supplement or auxiliary to other methods current today. Jameson supports his thesis by looking closely at the nature of interpretation. Our understanding, he says, is colored by the concepts and categories that we inherit from our culture's interpretive tradition and that we use to comprehend what we read. How then can the literature of other ages be understood by readers from a present that is culturally so different from the past? Marxism lies at the foundation of Jameson's answer, because it conceives of history as a single collective narrative that links past and present; Marxist literary criticism reveals the unity of that uninterrupted narrative. Jameson applies his interpretive theory to nineteenth- and twentieth-century texts, including the works of Balzac, Gissing, and Conrad. Throughout, he considers other interpretive approaches to the works he discusses, assessing the importance and limitations of methods as different as Lacanian psychoanalysis, semiotics, dialectical analysis, and allegorical readings. The book as a whole raises directly issues that have been only implicit in Jameson's earlier work, namely the relationship between dialectics and structuralism, and the tension between the German and the French aesthetic traditions. The Political Unconscious is a masterly introduction to both the method and the practice of Marxist criticism. Defining a mode of criticism and applying it successfully to individual works, it bridges the gap between theoretical speculation and textual analysis. | ||
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| 650 | 0 | |a Criticism. | |
| 650 | 0 | |a Hermeneutics. | |
| 650 | 0 | |a Narration (Rhetoric) | |
| 650 | 0 | |a Communism and literature. | |
| 650 | 0 | |a Fiction |x History and criticism |x Theory, etc. | |
| 650 | 0 | |a Fiction |x History and criticism. | |
| 650 | 6 | |a Critique. | |
| 650 | 6 | |a Herméneutique. | |
| 650 | 6 | |a Narration. | |
| 650 | 6 | |a Communisme et littérature. | |
| 650 | 6 | |a Roman |x Histoire et critique. | |
| 650 | 6 | |a Roman |x Histoire et critique |x Théorie, etc. | |
| 650 | 7 | |a criticism. |2 aat | |
| 650 | 7 | |a literary criticism. |2 aat | |
| 650 | 7 | |a hermeneutics. |2 aat | |
| 650 | 7 | |a LITERARY CRITICISM |x Semiotics & Theory. |2 bisacsh | |
| 650 | 7 | |a Fiction |2 fast | |
| 650 | 7 | |a Communism and literature |2 fast | |
| 650 | 7 | |a Criticism |2 fast | |
| 650 | 7 | |a Hermeneutics |2 fast | |
| 650 | 7 | |a Narration (Rhetoric) |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 655 | 7 | |a Annotations (Provenance) |y 20th century. |2 rbprov |5 CtY-BR | |
| 776 | 0 | 8 | |i Print version: |a Jameson, Fredric. |t Political unconscious. |d Ithaca, N.Y. : Cornell University Press, 1981 |w (DLC) 80021459 |w (OCoLC)6666243 |
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