The ethnic eye : Latino media arts /

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This groundbreaking volume is the first to examine the range of Latino media arts, from independent feature production to documentary to experimental video. The essays explore the work of Chicano, Puerto Rican, Cuban American, and Latino film and video artists and address avant-garde practices, quee...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: Noriega, Chon A., 1961- (Editor ), López, Ana M. (Editor )
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Minneapolis, Minn. : University of Minnesota Press, [1996].
Temas:
Latin Americans in motion pictures.
Hispanic Americans in motion pictures.
Motion pictures > Latin America.
Motion pictures > United States.
Motion picture producers and directors > Latin America.
Hispanic American motion picture producers and directors.
Latino-Américains au cinéma.
Américains d'origine latino-américaine au cinéma.
Cinéma > États-Unis.
Producteurs et réalisateurs de cinéma > Amérique latine.
Cinéma > Amérique latine.
PERFORMING ARTS > Film & Video > Reference.
PERFORMING ARTS > Film & Video > History & Criticism.
Hispanic American motion picture producers and directors
Hispanic Americans in motion pictures
Latin Americans in motion pictures
Motion picture producers and directors
Motion pictures
Film
Latin America
United States
USA
Hispanos.
Computer network resources.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Introduction / Chon A. Noriega and Ana M. Lopez
  • Imagined borders: locating Chicano cinema in America/America / Chon A. Noriega
  • Moving from the margin to the center: Puerto Rican cinema in New York / Lillian Jimenez
  • Greater Cuba / Ana M. Lopez
  • Drama queens: Latino gay and lesbian independent film/video / Frances Negron-Muntaner
  • Crossing invisible borders: Ramon Menendez's Stand and Deliver (1987) / Ilene S. Goldman
  • Reterritorializaiton in recent Chicano cinema: Edward James Olmos's American Me (1992) / Kathleen Newman
  • Ethnic ingenuity and mainstream cinema: Robert Rodriguez's Bedhead (1990) and El Mariachi (1993) / Charles Ramirez Berg
  • Flaming Latinas: Ela Troyano's Carmelita Tropicana: Your Kunst is Your Waffen (1993) / Jose Esteban Munoz
  • Docudrag, or "realness" as a documentary strategy: Felix Rodriguez's One Moment in Time (1992) / Marcos Becquer and Alisa Lebow
  • From exile to ethnicity: Nestor Almendros and Orlando Jimenez-Leal's Improper Conduct (1984) / Marvin D'Lugo
  • Media destructionism: the digital/laser/videos of Raphael Montanez Ortiz / Scott MacDonald
  • Collaborative public art and multimedia installation: David Avalos, Louis Hock, and Elizabeth Sisco's Welcome to America's Finest Tourist Plantation (1988) / C. Ondine Chavoya
  • Mass media, site specificity, and the U.S.-Mexico border: Guillermo Gomez-Pena's Border Brujo (1988,1990) / Claire F. Fox
  • Forbidden kiss: Raul Ferrera-Balanquet and Enrique Novelo-Cascante's Merida Proscrita (1990) / Christopher Ortiz
  • (Re)constructing Chicana, Mestiza representation: Frances Salome España's Spitfire (1991) / Carmen Huaco-Nuzum.

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