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Masking and power : carnival and popular culture in the Caribbean /
Focusing on masking as a socially significant practice in Caribbean cultures, Gerard Aching's analysis articulates masking, mimicry, and misrecognition as a means of describing and interrogating strategies of visibility and invisibility in Cuba, Trinidad and Tobago, Martinique, and beyond.
| Clasificación: | Libro Electrónico |
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| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Minneapolis :
University of Minnesota Press,
©2002.
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| Colección: | Cultural studies of the Americas ;
v. 8. |
| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Acknowledgments; Introduction: Masking, Misrecognition, Mimicry; PART I: Undisguised Masking; ONE: Dispossession, Nonpossession, and Self-Possession: Postindependence Masking in Lovelace's The Dragon Can't Dance; TWO: The New Visibilities: Middle-Class Cosmopolitanism in the Street; PART II: Masking through Language; THREE: Specularity and the Language of Corpulence: Estrella's Body in Cabrera Infante's Tres tristes tigres; FOUR: Turning a Blind Eye in the Name of the Law: Cultural Alienation in Chamoiseau's Solibo Magnifique; Notes; Works Cited; Index; A; B; C; D; E; F; G; H; I; J.