Bach's cycle, Mozart's arrow : an essay on the origins of musical modernity /

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Uses the works of Monteverdi, Bach, Mozart, and Beethoven to support the claims that it was only in the later eighteenth century that music began to take the flow of time from the past to the future seriously.

Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Berger, Karol, 1947-
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Berkeley : University of California Press, ©2007.
Colección:Simpson, imprint in humanities.
Temas:
Bach, Johann Sebastian, > 1685-1750 > Criticism and interpretation.
Mozart, Wolfgang Amadeus, > 1756-1791 > Criticism and interpretation.
Bach, Johann Sebastian, > 1685-1750
Mozart, Wolfgang Amadeus, > 1756-1791
1700-1799
Music > 18th century > History and criticism.
Musique > 18e siècle > Histoire et critique.
MUSIC > History & Criticism.
MUSIC > Genres & Styles > Classical.
Music
Criticism, interpretation, etc.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Prelude : L'Orfeo, or the anxiety of the moderns
  • Bach's cycle. The arrested procession ; A crystal flying like a bullet ; There is no time like God's time
  • Interlude : Jean-Jacques contra Augustinum : a little treatise on moral-political theology
  • Mozart's arrow. Mozart at play ; The hidden center ; Between incoherence and inauthenticity : Don Giovanni and Faust ; Die Zauberflöte, or the self-assertion of the moderns
  • Postlude : between utopia and melancholy : Beethoven and the aesthetic state.

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