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100317s1982 nju ob 001 0 eng d |
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|a OCLCE
|b eng
|e pn
|c OCLCE
|d OCLCQ
|d OCLCF
|d OCLCO
|d P@U
|d E7B
|d N$T
|d JSTOR
|d DEBBG
|d COO
|d OCLCO
|d OCLCQ
|d DEBSZ
|d OCLCQ
|d IOG
|d OCLCA
|d EZ9
|d VTS
|d LVT
|d STF
|d DKC
|d OCLCQ
|d OCLCO
|d KCP
|d OCLCQ
|d INARC
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|d M8D
|d UHL
|d OCLCQ
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|d OCLCQ
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|a 889254539
|a 1126046326
|a 1148222096
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|a 9781400856213
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|a 1400856213
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|z 0691065004
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|z 9780691065007
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|a AU@
|b 000056662965
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|a DEBBG
|b BV042523471
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|a DEBBG
|b BV043033939
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|a DEBSZ
|b 42994893X
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|a DEBSZ
|b 446781622
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|a GBVCP
|b 1003613535
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|a (OCoLC)558118544
|z (OCoLC)889254539
|z (OCoLC)1126046326
|z (OCoLC)1148222096
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|a dlr
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|a e-gr---
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|a PA4276
|b .M84 1982
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|a 884/.01
|2 19
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|a UAMI
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|a Mullen, William,
|d 1946-
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|a Choreia :
|b Pindar and dance /
|c by William Mullen.
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|a Princeton, N.J. :
|b Princeton University Press,
|c ©1982.
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|a 1 online resource (xix, 275 pages)
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Includes bibliographical references (pages 261-264).
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|3 Use copy
|f Restrictions unspecified
|2 star
|5 MiAaHDL
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|a Electronic reproduction.
|b [Place of publication not identified] :
|c HathiTrust Digital Library,
|d 2010.
|5 MiAaHDL
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|a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
|u http://purl.oclc.org/DLF/benchrepro0212
|5 MiAaHDL
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|a digitized
|c 2010
|h HathiTrust Digital Library
|l committed to preserve
|2 pda
|5 MiAaHDL
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|a Print version record.
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|t Frontmatter --
|t CONTENTS --
|t PREFACE --
|t ABBREVIATIONS --
|t One: PRESENCE OF THE POET --
|t Two: POWERS OF THE DANCE --
|t Three: THE TRIAD --
|t Four: VISUALIZATIONS --
|t Five: THE ANAGOGICAL SENSE --
|t APPENDIX: The Late Accounts of Triadic Dance --
|t NOTES --
|t BIBLIOGRAPHY --
|t GENERAL INDEX
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|a This study reveals that the three metrical units into which most choral odes were divided refer to the disposition in space of the dancers as they recited, with climactic moments of the poetry actualized through the attitudes of the dancers and with certain themes reserved for particular sections of the poetic form. Originally published in 1983. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a Pindar
|x Criticism and interpretation.
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|a Pindar
|x Criticism and interpretation.
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|a Pindare
|x Critique et interprétation.
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|a Pindar.
|2 fast
|0 (OCoLC)fst00046487
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|a Laudatory poetry, Greek
|x History and criticism.
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|a Dance in literature.
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|a Dance
|z Greece.
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|a Danse dans la littérature.
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|a Poésie élogieuse grecque
|x Histoire et critique.
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|a Danse
|z Grèce.
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|a LITERARY CRITICISM / Ancient & Classical.
|2 bisacsh
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|a PERFORMING ARTS / General.
|2 bisacsh
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|a Dance.
|2 fast
|0 (OCoLC)fst00887402
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|a Dance in literature.
|2 fast
|0 (OCoLC)fst00887523
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|a Laudatory poetry, Greek.
|2 fast
|0 (OCoLC)fst00993515
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|a Greece.
|2 fast
|0 (OCoLC)fst01208380
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|a Gedichten.
|2 gtt
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|a Dans.
|2 gtt
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|a Grieks.
|2 gtt
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|a Klassieke oudheid.
|2 gtt
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|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
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|i Print version:
|a Mullen, William, 1946-
|t Choreia.
|d Princeton, N.J. : Princeton University Press, ©1982
|w (DLC) 81047936
|w (OCoLC)8109859
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctt7ztr8m
|z Texto completo
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|a ebrary
|b EBRY
|n ebr10898475
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|a EBSCOhost
|b EBSC
|n 791470
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|a Internet Archive
|b INAR
|n choreiapindardan0000mull
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|a Project MUSE
|b MUSE
|n muse41067
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|a 92
|b IZTAP
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