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Figures of identity : Goethe's novels and the enigmatic self /

The question of coherence in Goethe's novels, which, like Faust, compelled his attention throughout his creative life, has only recently occupied a few critics. Professor Muenzer's study offers the most comprehensive effort of this kind by examining the problematic nature of self-definitio...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Muenzer, Clark S.
Formato: Electrónico eBook
Idioma:Inglés
Publicado: University Park : Pennsylvania State University Press, ©1984.
Colección:Penn State series in German literature.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Figures of identity :  |b Goethe's novels and the enigmatic self /  |c Clark S. Muenzer. 
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490 1 |a The Penn State series in German literature 
504 |a Includes bibliographical references (pages 173-179). 
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546 |a English. 
505 0 |a Cover -- Title -- Copyright -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1 Turning Toward the Sublime: Reflexivity and Self-worth in Die Leiden des jungen Werther -- 2 The Speculative Way: Self-display and Self-completion in Wilhelm Meisters Lehrjahre -- 3 Possessive Presumptions: Self-assertion in Die Wahlverwandtschaften -- 4 Deference and the Deferral of Aspiration: Self-denial in Wilhelm Meisters Wanderjahre -- 5 Hope's Elusive Chest: Figurative Play and Goethe's Enigmatic Self -- Notes -- Bibliography -- Index 
520 |a The question of coherence in Goethe's novels, which, like Faust, compelled his attention throughout his creative life, has only recently occupied a few critics. Professor Muenzer's study offers the most comprehensive effort of this kind by examining the problematic nature of self-definition through the four novels and its emergence as a discursive process of the imagination.The self of these texts, Muenzer suggests, evolves as a symbolic construct that records a patter of pursuit for each of their protagonists and orients the reader toward three basic goals of human aspiration. Thus, Werther aspires to purposefulness as a center of teleological fulfillment, while the hero of Wilhelm Meister's Apprenticeship refers to an ideological center of participation in his social desire. Eduard, in The Elective Affinities, presumes to occupy a center of archaeological power through his typically self-assertive strategies.In the last of his novels, Wilhelm Meister's Journeymanship, Goethe articulates the need to balance all such self-involved behavior with an attitude of self-denial. Apparently, the mind can orient itself through centers of purpose, order, and power, but it must also recognize the illusion of their attainment. Identity does not involve a substantive presence, and the result of self-definition for Goethe is interpretive work.Each of Professor Muenzer's interpretations has been guided by this premise. The interests of all of Goethe's novelistic protagonists, he concludes, ";serve as orienting postures toward goals that cannot be literally achieved."; Consequently, symbolic resolutions are proposed. These then introduce new problems as points of departure in subsequent works. The hidden agenda of Goethe's work as a novelist is a self that exists as a textual problem, a series of interpretive moves that endlessly defer the attainment of self presence by supplementing each other in narrative fictions. 
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