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Molière, the French Revolution, and the theatrical afterlife /
From 1680 until the French Revolution, when legislation abolished restrictions on theatrical enterprise, a single theatre held sole proprietorship of Molière's works. After 1791, his plays were performed in new theatres all over Paris by new actors, before audiences new to his works. Both his...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Iowa City :
University of Iowa Press,
©2009.
|
| Colección: | Studies in theatre history and culture.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Leon, Mechele, |d 1958- |e author. | |
| 245 | 1 | 0 | |a Molière, the French Revolution, and the theatrical afterlife / |c by Mechele Leon. |
| 246 | 1 | 8 | |a Molière, the French Revolution, & the theatrical afterlife |
| 260 | |a Iowa City : |b University of Iowa Press, |c ©2009. | ||
| 300 | |a 1 online resource (viii, 184 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Studies in theatre history & culture | |
| 504 | |a Includes bibliographical references (pages 165-178) and index. | ||
| 505 | 0 | |a Repertory: the popularity of Molière's plays -- Performance: the "high/low" Molière -- History: rewriting the story of Molière & Louis XIV -- Function: retooling Molièrean laughter -- Life: depicting Molière in biographical drama -- Death: remembering Molière -- Epilogue: the future of an afterlife. | |
| 588 | 0 | |a Print version record. | |
| 520 | |a From 1680 until the French Revolution, when legislation abolished restrictions on theatrical enterprise, a single theatre held sole proprietorship of Molière's works. After 1791, his plays were performed in new theatres all over Paris by new actors, before audiences new to his works. Both his plays and his image took on new dimensions. In Molière, the French Revolution, and the Theatrical Afterlife, Mechele Leon convincingly demonstrates how revolutionaries challenged the ties that bound this preeminent seventeenth-century comic playwright to the Old Regime and provided him with a place of hon. | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
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| 600 | 1 | 0 | |a Molière, |d 1622-1673 |x Criticism and interpretation. |
| 600 | 1 | 7 | |a Molière, |d 1622-1673 |2 fast |
| 650 | 7 | |a DRAMA |x Continental European. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Theater |x History & Criticism. |2 bisacsh | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Leon, Mechele, 1958- |t Molière, the French Revolution, and the theatrical afterlife. |d Iowa City : University of Iowa Press, ©2009 |z 9781587298219 |w (DLC) 2009006982 |w (OCoLC)310224925 |
| 830 | 0 | |a Studies in theatre history and culture. | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctt20mvfqd |z Texto completo |
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