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The day the dancers stayed : performing in the Filipino/American diaspora /
Pilipino Cultural Nights at American campuses have been a rite of passage for youth culture and a source of local community pride since the 1980s. Through performances-and parodies of them-these celebrations of national identity through music, dance, and theatrical narratives reemphasize what it mea...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Philadelphia :
Temple University Press,
©2010.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Gonzalves, Theodore S., |e author. | |
| 245 | 1 | 4 | |a The day the dancers stayed : |b performing in the Filipino/American diaspora / |c Theodore S. Gonzalves. |
| 260 | |a Philadelphia : |b Temple University Press, |c ©2010. | ||
| 300 | |a 1 online resource (xii, 215 pages) | ||
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| 504 | |a Includes bibliographical references (pages 185-209) and index. | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Acknowledgments; Prologue; Introduction; 1. The Art of the State: Inventing Philippine Folkloric Forms (Manila, 1934); 2. ""Take It from the People"": Dancing Diplomats and Cultural Authenticity (Brussels, 1958); 3. Dancing into Oblivion: The Filipino Cultural Night (Los Angeles, 1983); 4. Repetitive Motion: The Mechanics of Reverse Exile (San Francisco, 1993); 5. Making a Mockery of Everything We Hold True and Dear: Exploring Parody with Tongue in a Mood's PCN Salute (San Francisco, 1997); Conclusion; Epilogue: Memoria; Notes; Bibliography; Index. | |
| 520 | |a Pilipino Cultural Nights at American campuses have been a rite of passage for youth culture and a source of local community pride since the 1980s. Through performances-and parodies of them-these celebrations of national identity through music, dance, and theatrical narratives reemphasize what it means to be Filipino American. In The Day the Dancers Stayed, scholar and performer Theodore Gonzalves uses interviews and participant observer techniques to consider the relationship between the invention of performance repertoire and the development of diasporic identification.> | ||
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| 650 | 0 | |a Folklore |x Performance |z Philippines. | |
| 650 | 0 | |a Folk dancing, Philippine. | |
| 650 | 0 | |a Folk music |z Philippines. | |
| 650 | 0 | |a National characteristics, Philippine. | |
| 650 | 0 | |a Filipino Americans |x History. | |
| 650 | 0 | |a Filipino Americans |x Social life and customs. | |
| 650 | 0 | |a Filipinos. | |
| 650 | 6 | |a Folklore |x Interprétation |z Philippines. | |
| 650 | 6 | |a Danse folklorique philippine. | |
| 650 | 6 | |a Philippins. | |
| 650 | 6 | |a Américains d'origine philippine |x Histoire. | |
| 650 | 6 | |a Américains d'origine philippine |x Mœurs et coutumes. | |
| 650 | 7 | |a PERFORMING ARTS |x Dance |x Folk. |2 bisacsh | |
| 650 | 7 | |a SOCIAL SCIENCE |x General. |2 bisacsh | |
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| 650 | 7 | |a Filipino Americans |2 fast | |
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| 650 | 7 | |a Folk dancing, Philippine |2 fast | |
| 650 | 7 | |a Folk music |2 fast | |
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| 776 | 0 | 8 | |i Print version: |a Gonzalves, Theodore S. |t Day the dancers stayed. |d Philadelphia : Temple University Press, 2010 |z 9781592137282 |w (DLC) 2009016342 |w (OCoLC)317462402 |
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